READ MOREAn Archive and Forms of Sight: Gestures of Madness
My history of madness in the Belgian Congo will rely on tracking transactional, micro, and urgent documents as gestures. These promise to open “spheres of ethos,” with human riddles, forms of upheaval, and violence (Agamben 1992). READ MOREIn Black Women’s Hands: A History of Gestures in Photography and Textile
Contemporary Black female artists have reclaimed the everyday labor and domestic motions women have historically performed, as artistic gestures in their own right. For example, the ceramic and bronze sculptures of the African-American artist Simone Leigh have referenced vernacular processes like washing chores and needlework. READ MORETogether Apart The Irish Anti-Apartheid Movement
In April 1964, the Irish Anti-Apartheid Movement (IAAM) was launched in Dublin by Kader Asmal, a South-African professor of law in Trinity College. Lobbying for improved human rights and liberation in South Africa, the Movement raised awareness of the racism experienced by communities and campaigned for the release of political prisoners.
The Artists Forum, convened at the Centre for Humanities Research, emerges out a longstanding conversation between artists and academics working in and through the CHR.
The Artists Forum, convened at the Centre for Humanities Research, emerges out a longstanding conversation between artists and academics working in and through the CHR.
The Artists Forum connects scholarly exploration with the CHR’s Artist in Residency programme, so as to bring artists’ and humanistic study into a more intimate adjacency
The Artists Forum connects scholarly exploration with the CHR’s Artist in Residency programme, so as to bring artists’ and humanistic study into a more intimate adjacency
The Artists Forum, convened at the Centre for Humanities Research, emerges out a longstanding conversation between artists and academics working in and through the CHR.
The South African Contemporary History and Humanities Seminar invites you to a presentation by professor of anthropology at the Federal University of Bahia (UFBA), Livio Sansone.
The South African Contemporary History and Humanities Seminar invites you to a presentation by dancer and choreographer, theatre-maker and director, producer, and academic researcher, jackï job.
The South African Contemporary History and Humanities Seminar invites you to a conversation with Bongani Kona on his new edited volume Our Ghosts Were Once People: Stories on Death and Dying (Jonathan Ball, 2021).
Prof. Patricia Hayes and Dr Valmont Layne investigate how UWC can revitalise its archival holdings for preservation, teaching, research access, and public programmes.
CHR Artist in Residence Juan Orrantia will present his ongoing artistic work “Everything that was made was not destroyed, but also does not exist” at the South African Contemporary History and Humanities Seminar on 14 September 2021.