When autocomplete results are available use up and down arrows to review and enter to go to the desired page. Touch device users, explore by touch or with swipe gestures.

READ MORE Humanities in Session, Archive Lab: Immersive Technologies and the Archive

The advancement of immersive technologies is fast shaping archival practice. What does this new yet old complexity of design, history, technology and mixed realities mean for the future of storytelling, research and education?
READ MORE Humanities in Sesssion, Artists' Forum with Tshegofatso Moeng

This session will be led by Tshegofatso Moeng who is a versatile South African singer, arranger, composer, and music director.
READ MORE Humanities in Sesssion: ‘Returning Transitions: Memories of Persistent Crises in South African and Russian Writing’, with Ksenia Robbe

In this seminar, Ksenia Robbe present the key questions and theoretical propositions concerning the possibility of reading comparatively and connectively memories of the post-apartheid and post-Soviet ‘transitions’ in contemporary South African and Russian writing.
October 17, 2019

Dying For Gold Screening and Discussion

The story of 120 years of gold mining and racial capitalism leads to disease and extreme poverty which endures into the present. Through more than a century of deep level gold mining in South Africa, a legacy of illness, death and inequality has left its mark on the Southern African continent.
October 11, 2019

Call for Papers – Revolutionary Papers: Counter-Institutions, Politics and Culture in Periodicals of the Global South workshop

The workshop will examine 20th century periodicals and related print ephemera – including newspapers, cultural and literary journals, magazines, manifestoes, newsletters and political pamphlets – as sites of Left, anti-imperial and anti-colonial critical production throughout decolonization, anti-Apartheid struggles, and the post-colonial era.
October 10, 2019

Launch of Mellon South Lab in Performance Cultures and Embodied Creative Practices

The Andrew W Mellon Chair of Aesthetic Theory and Material Per-formance and the Laboratory of Kinetic Objects is involved in an excit-ing partnership between the CHR at UWC and the Institute of the Humanities and Global Cultures at the University of Virginia.