READ MORETechnics & Urban workshop takes off
“They conduct their lives with a wry resilience. They have a front row seat to the apocalyptic – birds falling out the sky – but they go on, with a cruel optimism towards the everyday within the age of extreme climate change. To translate that into formal strategies is the work of documentary.” READ MOREPublication Announcement: New Contrast, Issue 212, In Memory of Diana Ferrus and Zoë Wicomb
We are pleased to announce the publication of New Contrast’s 212th Issue, In Memory of Diana Ferrus and Zoë Wicomb, which includes contributions from Premesh Lalu who holds the UK-SA Bilateral Chair in Culture and Technics at the CHR, and Bongani Kona (Department of Historical Studies, UWC).READ MOREHumanities in Sesssion, Artists’ Forum: Underwater Cables & Global Digital Infrastructure
This session, titled ‘Underwater Cables & Global Digital Infrastructure’, will be led by Ian Purnell, and Southbound Studio members, Kamil Adam Hassim, and Benji Anstey, who will be in conversation with the CHR’s Premesh Lalu.
The SARChI Chair in Visual History & Theory underwent its first-phase review in 2020 and has been awarded a second phase of funding for 2021-5 by the National Research Foundation (NRF).
Statement from the University of the Western Cape Vice-Chancellor and Rector, Professor Tyrone Pretorius, on the Tenth Anniversary of the Barrydale Reconciliation Day Festival.
South Africa’s lost jazz history contains many an overlooked classic. But even within that hidden tradition, there are few albums that suffered such an unlucky fate as Spring, the monumental 1968 debut album by pianist Ibrahim Khalil Shihab, formerly Chris Schilder.
The CHR presented a panel with the Centres’ Patricia Hayes, Luis Gimenez and Kiasha Naidoo, chaired by Ross Truscott discussing the possibilities and approaches to the invocation of the precolonial at the recently convened Afro-Asia Conference.
The CHR warmly congratulates Michelle Smith, convenor of national and international partnerships, for graduating with a PhD in History from the University of Fort Hare. Dr Smith's dissertation is titled, "Ruin, Remains, Frame: Visual images of community, culture and race in three Eastern Cape Museums in South Africa".
The CHR’s Professor Jane Taylor will be participating in this weeks Global Narratives of Artificial Intelligence: Sub-Saharan Africa - African Histories and Philosophies of Artificial Intelligence conference hosted by the HSRC and the University of Cambridge.
The Centre for Humanities Research is pleased to announce the opening of artist in residence in visual arts, Chumisa Fihla's inaugural exhibition "Legae/Kayalethu" at the AVA Gallery opening on the 26 November 2020.
CHR Next Generation Fellow Kim Gurney was interviewed for a podcast by Bozar Centre for Fine Arts in Brussels, on the topic of decolonisation and the public space.
The CHR congratulates Professor Elizabeth Giorgis on her latest book Modernist Art in Ethiopia achieving finalist status for both the ASA Book Prize (Herskovits) and the ASA Bethwell A. Ogot Prize.
As part of the Communicating the Humanities research project, The CHR Documentary film class was in conversation with film editor and CHR Artist in Residence, Khalid Shamis, and film director Sara DF De Gouvia, about their award winning film The Sounds of Masks
The CHR's Aja Marneweck, together with Nataniël Pokwas and Selanvor Platjies from Net vir Pret, the CHR's partners in the annual Barrydale puppetry production will be performing on the Brighton Fringe festival as part of the Imaginary Futures International arts project.