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READ MORE Johannesburg as Imaginarium: Public Art and Placemaking in the City

On Wednesday, 11 March, the French Institute of South Africa (IFAS) and the Goethe-Institut Johannesburg will co-host a discussion titled Johannesburg as Imaginarium: Public Art and Placemaking in the City.
READ MORE FRAMEWURX, by Scott-Eric Williams

FRAMEWURX (2025) is a limited edition zine created as a companion artefact for ‘Tales of History Retold’ (2025), a group exhibition co-curated by Kim Gurney and Carlyn Strydom at Iyatsiba Lab, University of the Western Cape, and is now available in digital form.
READ MORE Donation: The Immense Regression - What is Called Caring? Volume 1.

The CHR would like to thank the publisher, K. Verlag, for their generous donation of Bernard Stiegler’s The Immense Regression - What is Called Caring? Vol. 1. to the CHR and fellows of the UK-SA Bilateral Digital Humanities Chair in Culture & Technics.
September 21, 2022

Imaginary Futures Live Performance at the Global Peripheries Conference Paris

On the 23rd and 24th September, CHR’s Aja Marneweck will be collaborating in the Imaginary Futures project on live performances at the Global Periphery Contemporary Imaginaries of Space, Multiple Voices Hybrid Conference at the Leonardo/Olats Observatory of Arts and Techno-Sciences in Paris.
December 7, 2020

Global Narratives of Artificial Intelligence: Sub-Saharan Africa – African Histories and Philosophies of Artificial Intelligence

The CHR’s Professor Jane Taylor will be participating in this weeks Global Narratives of Artificial Intelligence: Sub-Saharan Africa - African Histories and Philosophies of Artificial Intelligence conference hosted by the HSRC and the University of Cambridge.
July 9, 2019

CHR’s Khalid Shamis at the CHAM Conference 2019

PRODUCING IN THE PRESENT, PRESSURING THE PAST, FOR AN IMMEDIATE FUTURE. The key to the future lies in the past. The archive of the past is our immediate future. The question is not that we merely take and place the archive. We are not merely inheritors of a culture but its inherent makers.