Valmont Layne

Next Generation Scholar

Valmont Layne is a Next Generation Fellow at the Centre for Humanities Research, University of the Western Cape. His research interests include music, sound studies, archives and heritage studies and histories of technology. In 2019 he successfully completed his doctoral thesis titled: Goema’s refrain: Sonic anticipation and the musicking Cape. Valmont is currently working on a book manuscript and a short documentary film project on Cape musicking histories, and is part of a team working to revitalise the archival collections of the University of the Western Cape. He lives in Muizenberg, Cape Town.

As a Fellow:

Valmont was an NRF Early Career Fellow and PhD Candidate at the Centre for Humanities Research at the University of the Western Cape.

He  worked with questions of social transformation and justice mediated through cultural space including research, curating, collecting and advocacy. His work has been located at different sites – on museum practice and social justice at the District Six Museum, with curating ‘transformation’ at the Klein Karoo National Arts Festival, and with arts and rights-based research and policy advocacy at Arterial Network.

His research read ‘the Cape’ as an affective space, auditing its ‘jazzing’ and vernacular lifeworlds in terms which amplify the sonic, the postcolonial and the global.

Related News

Leaving Zion

A Winter School webinar with Associate Professor Heidi Grunebaum

Encounters Film Festival: The Letter

As part of the Communicating the Humanities project at the Centre for Humanities Research, Next Generation Scholar, Valmont Layne, will be in conversation with Steve Akoth, Christine van Zyl and The Letter’s co-directors Maia Lekow and Christopher King.


Exodus, Movement, a/the People: Critical Thinking and the Collective

CHR’s Valmont Layne Graduates with PhD focusing on Goema music

The CHR congratulations to Valmont Layne for graduating with his doctorate, with a thesis that focuses on the history of Goema music in Cape Town and its intricate links to Cape Jazz.

KINESIS: Of Moving and Being Moved

Between July 6th and July 10th 2019, the Laboratory of Kinetic Objects (LoKO) at the CHR hosted a colloquium on Subject/Object relations, in an ongoing exploration of Animation, Animism, Thing Theory, the Subject and the Object, Puppetry Arts and performance.

Africa as Concept and Method: Emancipation, Decolonization, Freedom

The Consortium of Humanities Centres and Institutes (CHCI) Africa Workshop 2019 was hosted in Addis Ababa, Ethiopia, with scholars from the CHR attending.

Seminar: Valmont Layne

Tem Hawker, Yakhal Inkomo and the sentimental ‘avant-garde: Revisiting Cape jazz’s sonic archive’

The CHR in the time of a global pandemic

In line with protocols introduced by government towards the prevention and containment of the COVID-19 virus, the CHR suspended its public events, seminars, and general fellowship program until further notice.  We wish CHR fellows, students, artists, colleagues and friends, as well as our partners and funders in South Africa and across the world much strength and compassion in these difficult times.


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