READ MOREHumanities in Session, Archive Lab: Immersive Technologies and the Archive
The advancement of immersive technologies is fast shaping archival practice. What does this new yet old complexity of design, history, technology and mixed realities mean for the future of storytelling, research and education?READ MOREHumanities in Sesssion, Artists' Forum with Tshegofatso Moeng
This session will be led by Tshegofatso Moeng who is a versatile South African singer, arranger, composer, and music director.READ MOREHumanities in Sesssion: ‘Returning Transitions: Memories of Persistent Crises in South African and Russian Writing’, with Ksenia Robbe
In this seminar, Ksenia Robbe present the key questions and theoretical propositions concerning the possibility of reading comparatively and connectively memories of the post-apartheid and post-Soviet ‘transitions’ in contemporary South African and Russian writing.
The African Critical Inquiry Programme (ACIP) invites proposals from scholars and/or practitioners in public cultural institutions in South Africa to organise a workshop to take place in 2023.
Kinetic Objects is a teaching collaboration emerging from the Centre for Humanities Research and the Jackman Humanities Institute in the framework of the partnership on Aesthetic Education: A South North Dialogue, funded by the Andrew W. Mellon Foundation.
UWC congratulates Professor Nana Aba Appiah Amfo, a former postdoctoral fellow hosted by the Centre for Humanities Research, on her appointment as Vice-Chancellor of the University of Ghana.
Professor David Scott will be delivering a keynote address titled “The Conjecture of 1956” as part of the Other Universals Virtual Institute 2021 inquiry into The Question of the Political: Thinking Difference in the Aftermaths of the Colonial Political Economy.
It was with a profound sense of loss that the we learned of the death of Shane Petzer, the Social Responsibility Officer from the Magpie Art Collective.
Join Prof. Patricia Hayes for “Photographs and the Long Inception of Colonialism in Southern Angola,” a lecture hosted by the Institute of the Humanities and Global Cultures (IHGC) at the University of Virginia.
Prof. Patricia Hayes and Dr Valmont Layne investigate how UWC can revitalise its archival holdings for preservation, teaching, research access, and public programmes.
CHR Artist in Residence Juan Orrantia will present his ongoing artistic work “Everything that was made was not destroyed, but also does not exist” at the South African Contemporary History and Humanities Seminar on 14 September 2021.
The CHR is excited to share the following announcement by the Zeitz Museum of Contemporary Art Africa (Zeitz MOCAA) and the University of the Western Cape as they launch a year-long fellowship programme.
CHR Artist in Residence Tony Bonani Miyambo confronts the momentous challenges facing theatre makers with his solo show Commission Continua, performed online for the 2021 National Arts Festival.