READ MOREGood Morning Cape Town with Lester Kiewet: Remembering the Trojan Horse Massacre
Lester Kiewit speaks to Promesh Lalu, a UWC research professor, on the lessons we can learn from the Trojan Horse Massacre in 1985, as well as the misconceptions about those at grassroots level fighting the apartheid machine with intellect and limited resources.READ MOREWinter School 7-11 July 2025: On the question of Freedom
In anticipation of the arrival of Fanon, Lorde, McGregor and several other truth-seekers, the Iyatsiba Lab, alive to its meaning “to jump”, called attention to the CHR’s 15th iteration of the annual Winter School titled Freedom, Techne/Technics, Postcoloniality. Accompanied by trusted companions, the Reading List, the Place/People, Concept and Programme, Winter School held interdisciplinary space for what it means to think and make in relation(s)...READ MOREZine-making workshop: Something like an archive - Exploring memory through zine-making
‘Something like an archive - Exploring memory through zine-making’ is a one day public workshop at Iyatsiba Lab facilitated by visual artist and educator, Scott Eric Williams.
Professor Patricia Hayes of the CHR will be in conversation with Professor Tamar Garb of UCL about Ambivalent: Photography and Visibility in African History
Friday February 5th marks the 40th anniversary for the Handspring Puppet Company, collaborators in the aesthetic endeavours of the CHR, most particularly as creative mentors to the Ukwanda Puppetry and Design Collective, as well as the Laboratory of Kinetic Objects (LoKO).
The CHR is delighted to announce the publication of Ruins from CHR Director, Professor Heidi Grunebaum, in Trickbox of Memory: Essays on Power and Disorderly Pasts published by punctum books.
CHR Director, Professor Heidi Grunebaum, was interviewed by the Society for International Development on her views about identity and citizenship in a global world.
The CHR congratulates director, Professor Heidi Grunebaum, on the publication of her latest chapter titled: ‘Zanzibar, circa 1996’ in The Passport That Does Not Pass Ports African Literature of Travel in the Twenty-First Century. The collection is co-edited by Isabel Balseiro and Zachariah Rapola.
The African Critical Inquiry Programme invites proposals from scholars and/or practitioners in public cultural institutions in South Africa to organise a workshop to take place in 2022.
The CHR warmly congratulates Professor Jane Taylor on winning the UWC Arts Faculty’s research award within the creative arts category. Professor Taylor was awarded the award for Creative Research for her paper “PAN: A Performance Lecture” published in Critical Times (2019) 2:3: 493-517.
The SARChI Chair in Visual History & Theory underwent its first-phase review in 2020 and has been awarded a second phase of funding for 2021-5 by the National Research Foundation (NRF).
Statement from the University of the Western Cape Vice-Chancellor and Rector, Professor Tyrone Pretorius, on the Tenth Anniversary of the Barrydale Reconciliation Day Festival.
South Africa’s lost jazz history contains many an overlooked classic. But even within that hidden tradition, there are few albums that suffered such an unlucky fate as Spring, the monumental 1968 debut album by pianist Ibrahim Khalil Shihab, formerly Chris Schilder.