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  • About
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        • About the Factory of the Arts
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    • Becoming Technical of the Human
      • Laboratory of Kinetic Objects
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    • New Ecologies of the Subject
  • Research Chairs
    • NRF SARChI Chair in Visual History and Theory
      • Postgraduate bursaries and postdoctoral fellowships in Visual History & Theory
      • Postgraduate Module In Visual History, 2023 (HIS 735/835)
    • Charlotte Maxeke-Mary Robinson Research Chair
    • UK-SA Bilateral Digital humanities chair in culture and technics
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READ MORE Culture and Technics Workshop: 10-12 November

The UK-SA Chair in Digital Humanities, held by Prof. Premesh Lalu, is welcoming international scholars to Cape Town in November to attend a three-day roundtable at Iyatsiba Lab in Woodstock.
READ MORE Fellowship Announcement: Siyanda Kobokana

We are delighted to announce that SA/UK Digital Humanities PhD fellow, Siyanda Kobokana, has been selected for the inaugural Paris Doctoral Research Residency at IFAS–Fondation Fiminco–ArTeC.
READ MORE An Archive and Forms of Sight: Gestures of Madness

My history of madness in the Belgian Congo will rely on tracking transactional, micro, and urgent documents as gestures. These promise to open “spheres of ethos,” with human riddles, forms of upheaval, and violence (Agamben 1992).
February 25, 2022

Puppet Walk and Performance at Boschendal’s Plum Harvest Festival

After the great success of the elephant puppet walk at the Boschendal Plum Harvest Festival in 2021, we will be celebrating this year’s festival with giant puppets to raise awareness of the living waters and aquatic life of our planet.  
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February 23, 2022

In the Press: Buhle Ngaba on CHR Charlotte Maxeke Production

CHR Artist in Residence Buhle Ngaba is writing a screenplay for a groundbreaking puppetry production on the life of Charlotte Maxeke.
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December 17, 2021

Peter Takelo and Derek Joubert Awarded Gold Medals by UWC

The CHR warmly congratulates Peter Takelo and Derek Joubert of our partners Net vir Pret for being awarded Gold Medals by UWC.
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December 17, 2021

Restitution, Technics and Disciplinary Objects in the Preservation of African Music Institution Making

Next Generation Scholar Valmont Layne examines the challenges and possibilities of music archives in Southern Africa.
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December 15, 2021

What A Wonderful World

The 2021 Barrydale Puppet Parade and Performance centres on a family living in Barrydale and the connection a young woman has with an ancient indigenous tree, Old Gwarrie, as well as with the wonderful world she calls home.
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December 9, 2021

Winter School 2021: Fragment and Form

CHR Winter School 2021 on the theme of Fragment and Form was a hybrid event, hosted online and in-person at the Retreat at the Boschendal Estate in Franschhoek.
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November 15, 2021

Curating in the Dark

CHR Doctoral Fellow Phokeng Setai was among nine speakers invited to participate in the colloquium BLACK SELF/ a conversation, convened by Ashraf Jamal in partnership with the NIROX Foundation.
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November 3, 2021

Keynote Address: The Conjuncture of 1956

Professor David Scott will be delivering a keynote address titled “The Conjecture of 1956” as part of the Other Universals Virtual Institute 2021 inquiry into The Question of the Political: Thinking Difference in the Aftermaths of the Colonial Political Economy.
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October 7, 2021

Twice Heard and Newly Told

Join the South African Contemporary History and Humanities Seminar on 12 October 2021 for “Twice heard and newly told,” a paper by Phindi Mnyaka.
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September 16, 2021

Stealing Time

Join Prof. Patricia Hayes for “Photographs and the Long Inception of Colonialism in Southern Angola,” a lecture hosted by the Institute of the Humanities and Global Cultures (IHGC) at the University of Virginia.
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September 15, 2021

Archival Futures and Research: Preservation, Access and UWC’s Digital Infrastructure

Prof. Patricia Hayes and Dr Valmont Layne investigate how UWC can revitalise its archival holdings for preservation, teaching, research access, and public programmes.
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September 8, 2021

Everything that was made was not destroyed…

CHR Artist in Residence Juan Orrantia will present his ongoing artistic work “Everything that was made was not destroyed, but also does not exist” at the South African Contemporary History and Humanities Seminar on 14 September 2021.
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Research Platforms

  • NRF SARChI Chair in Visual History and Theory
  • Andrew W. Mellon Chair of Aesthetic Theory and Material Performance
  • Factory of the Arts
  • Laboratory of Kinetic Objects
  • Seminar Programme
  • Publications

Recently Added

  • Culture and Technics Workshop: 10-12 November
    October 14, 2025
  • Fellowship Announcement: Siyanda Kobokana
    October 14, 2025
  • An Archive and Forms of Sight: Gestures of Madness
    October 10, 2025
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