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My history of madness in the Belgian Congo will rely on tracking transactional, micro, and urgent documents as gestures. These promise to open “spheres of ethos,” with human riddles, forms of upheaval, and violence (Agamben 1992).
Contemporary Black female artists have reclaimed the everyday labor and domestic motions women have historically performed, as artistic gestures in their own right. For example, the ceramic and bronze sculptures of the African-American artist Simone Leigh have referenced vernacular processes like washing chores and needlework.
The 2025 International Workshop on Visual History & Theory will take place between October 14-15. It takes as its starting point the notion of gesture, which operates across a range of literal and conceptual levels.
Abstracts are invited for participation in the annual workshop in Visual History & Theory to be held at the Centre for Humanities Research, University of the Western Cape, on 19-20 September 2024.
This year’s NRF SARChI Chair in Visual History and Theory Workshop will take place between 27-28 July. It coalesces around the title, ‘Power: Remaking selves, archives, environments’, and will include a keynote by Leigh Raiford who is Professor of African American and African Diaspora Studies, University of California, Berkeley.
Premesh Lalu’s documentary film, The Double Future’s of Athlone, which was sold out at the Encounters documentary film festival in Cape Town and Johannesburg, will be screened online at the Durban International Film Festival from July 21-30, 2022.
The African Critical Inquiry Programme (ACIP) is pleased to announce that the 2023 ACIP Workshop will be Archiving Otherwise: Sound Thinking and Sonic Practice.