READ MOREExhibition Opening: Tales of History Retold
For this exhibition, eight artists were invited to select artefacts from the document archive of the Association for Visual Arts (AVA), a not-for-profit gallery and collective in Cape Town, as source material for an artistic response.READ MOREArtists’s Forum with Kemang Wa Lehulere
The Artists Forum, convened at the Centre for Humanities Research, emerges out a longstanding conversation between artists and academics working in and through the CHR. The Forum’s objective has been to connect scholarly exploration with the CHR’s Artist in Residency programme, and to bring artists and humanistic study into a more intimate adjacency. READ MOREThe Polyrhythmic Ensemble
The Polyrhythmic Ensemble was formed in 2023 with the aim of creating new works based around research into contrapuntal and polyrhythmic African music.
My history of madness in the Belgian Congo will rely on tracking transactional, micro, and urgent documents as gestures. These promise to open “spheres of ethos,” with human riddles, forms of upheaval, and violence (Agamben 1992).
Contemporary Black female artists have reclaimed the everyday labor and domestic motions women have historically performed, as artistic gestures in their own right. For example, the ceramic and bronze sculptures of the African-American artist Simone Leigh have referenced vernacular processes like washing chores and needlework.
The 2025 International Workshop on Visual History & Theory will take place between October 14-15. It takes as its starting point the notion of gesture, which operates across a range of literal and conceptual levels.
Abstracts are invited for participation in the annual workshop in Visual History & Theory to be held at the Centre for Humanities Research, University of the Western Cape, on 19-20 September 2024.
This year’s NRF SARChI Chair in Visual History and Theory Workshop will take place between 27-28 July. It coalesces around the title, ‘Power: Remaking selves, archives, environments’, and will include a keynote by Leigh Raiford who is Professor of African American and African Diaspora Studies, University of California, Berkeley.
Premesh Lalu’s documentary film, The Double Future’s of Athlone, which was sold out at the Encounters documentary film festival in Cape Town and Johannesburg, will be screened online at the Durban International Film Festival from July 21-30, 2022.
The African Critical Inquiry Programme (ACIP) is pleased to announce that the 2023 ACIP Workshop will be Archiving Otherwise: Sound Thinking and Sonic Practice.