READ MOREAn Archive and Forms of Sight: Gestures of Madness
My history of madness in the Belgian Congo will rely on tracking transactional, micro, and urgent documents as gestures. These promise to open “spheres of ethos,” with human riddles, forms of upheaval, and violence (Agamben 1992). READ MOREIn Black Women’s Hands: A History of Gestures in Photography and Textile
Contemporary Black female artists have reclaimed the everyday labor and domestic motions women have historically performed, as artistic gestures in their own right. For example, the ceramic and bronze sculptures of the African-American artist Simone Leigh have referenced vernacular processes like washing chores and needlework. READ MORETogether Apart The Irish Anti-Apartheid Movement
In April 1964, the Irish Anti-Apartheid Movement (IAAM) was launched in Dublin by Kader Asmal, a South-African professor of law in Trinity College. Lobbying for improved human rights and liberation in South Africa, the Movement raised awareness of the racism experienced by communities and campaigned for the release of political prisoners.
The Artists Forum, convened at the Centre for Humanities Research, emerges out a longstanding conversation between artists and academics working in and through the CHR.
The CHR is delighted to announce the publication of CHR Research Fellow Kim Gurney’s new book Panya Routes: Independent art spaces in Africa (Motto, 2022), which was carried out in her capacity as an affiliated Research Associate at UCT’s African Centre for Cities.
The Center for Humanities Research and Department of History at UWC, together with the Department of English at the University of Cambridge and the Department of Sociology at the London School of Economics, invite you to a night of art, music, and conversations on anticolonial, anti-apartheid, left & liberation struggles.
CHR Doctoral Fellow Phokeng Setai was among nine speakers invited to participate in the colloquium BLACK SELF/ a conversation, convened by Ashraf Jamal in partnership with the NIROX Foundation.
The CHR’s Flagship fellowship programme for early career scholars is at the heart of a deep commitment to transforming higher education at the doctoral level in South Africa.
CHR Doctoral Fellow in Anthropology Phokeng Setai will be presenting at the University of Minnesota’s Interdisciplinary Center for the Study of Global Change (ICGC) Brown Bag Series.
The SARChI Chair in Visual History & Theory underwent its first-phase review in 2020 and has been awarded a second phase of funding for 2021-5 by the National Research Foundation (NRF).
Between the months of March and May 2019, Phokeng Setai participated in a curatorial intensive residency program with the Raw Material Company in Dakar, Senegal. During this program curatorial practices were discussed in their many variations - from the early beginnings of the practice to its current formulations.