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READ MORE Humanities in Sesssion: ‘Returning Transitions: Memories of Persistent Crises in South African and Russian Writing’, with Ksenia Robbe

In this seminar, Ksenia Robbe present the key questions and theoretical propositions concerning the possibility of reading comparatively and connectively memories of the post-apartheid and post-Soviet ‘transitions’ in contemporary South African and Russian writing. READ MORE Archive Lab: 'Archiving Resistance: The VNS/AFRAVISION Collective', with Brian Tilley and Makonenyana Molete

The New Archival Visions (NAV) Programme will host Brian Tilley and Makonenyana Molete, founder members of the VNS/Afravision video collective to share how they set up VNS/Afravision in the 1980s to document the struggles sweeping across South Africa. READ MORE Winter School 2026: Liminalities: Thinking, Thresholds

Liminality has been theorised as a condition of transition. Whether in its original anthropological form as a movement from one state to another through a rite of passage or in its postcolonial rendering via Homi Bhabha's notion of hybridity, liminality has come to mark a condition of being “not quite” and “not yet.”
February 5, 2021

40th Anniversary of the Handspring Puppet Company

Friday February 5th marks the 40th anniversary for the Handspring Puppet Company, collaborators in the aesthetic endeavours of the CHR, most particularly as creative mentors to the Ukwanda Puppetry and Design Collective, as well as the Laboratory of Kinetic Objects (LoKO).
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January 22, 2021

The Passport That Does Not Pass Ports African Literature of Travel

The CHR congratulates director, Professor Heidi Grunebaum, on the publication of her latest chapter titled: ‘Zanzibar, circa 1996’ in The Passport That Does Not Pass Ports African Literature of Travel in the Twenty-First Century. The collection is co-edited by Isabel Balseiro and Zachariah Rapola.
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December 7, 2020

The CHR warmly congratulates Michelle Smith

The CHR warmly congratulates Michelle Smith, convenor of national and international partnerships, for graduating with a PhD in History from the University of Fort Hare. Dr Smith's dissertation is titled, "Ruin, Remains, Frame: Visual images of community, culture and race in three Eastern Cape Museums in South Africa".
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