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READ MORE An Archive and Forms of Sight: Gestures of Madness

My history of madness in the Belgian Congo will rely on tracking transactional, micro, and urgent documents as gestures. These promise to open “spheres of ethos,” with human riddles, forms of upheaval, and violence (Agamben 1992).
READ MORE In Black Women’s Hands: A History of Gestures in Photography and Textile

Contemporary Black female artists have reclaimed the everyday labor and domestic motions women have historically performed, as artistic gestures in their own right. For example, the ceramic and bronze sculptures of the African-American artist Simone Leigh have referenced vernacular processes like washing chores and needlework.
READ MORE Together Apart The Irish Anti-Apartheid Movement

In April 1964, the Irish Anti-Apartheid Movement (IAAM) was launched in Dublin by Kader Asmal, a South-African professor of law in Trinity College. Lobbying for improved human rights and liberation in South Africa, the Movement raised awareness of the racism experienced by communities and campaigned for the release of political prisoners.
March 18, 2022

Ian Baucom

Visiting Scholar 2021
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March 18, 2022

Thembinkosi Goniwe

Visiting Scholar 2021
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March 18, 2022

Qadri Ismail

Visiting Scholar, 2015
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March 10, 2022

Jane Ohlmeyer

Trinity College, Dublin
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March 10, 2022

Kerala Council for Historical Research Launches Love and Revolution

The CHR is pleased to share that the Kerala Council for Historical Research (KCHR) will be hosting a launch for Love and Revolution in the Twentieth-Century Colonial and Postcolonial World: Perspectives from South Asia and Southern Africa.
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February 17, 2022

François Verster

Convenor of the Documentary Film Project
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January 12, 2022

Ali on Joy

CHR Fellow Ali Ridha Khan invited to write the Editors’ Note for ODD Magazine’s December 2021 issue on Joy.
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December 21, 2021

Call for Abstracts: Kronos Special Issue on Sound

Kronos: Southern African Histories is seeking submissions for the 2022 special issue “Oral/Aural: Pastness and Sound as Medium and Method.”
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December 17, 2021

Dynamic Traditions: On the 100th Anniversary of Donaueschinger Musiktage

CHR Doctoral Fellow Lee Walters invited to contribute to Dynamic Traditions , a reader published by Elisa Erkelenz and Katja Heldt around the 100th anniversary of Donaueschinger Musiktage.
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December 13, 2021

Visualizing the body: photographic clues and the cultural fluidity of Mbopo institution 1914-2014

The CHR warmly congratulated Doctoral Fellow Nsima Udo on the publication of his MA thesis as a monograph.
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December 3, 2021

The Quintessential Freedom Fighter: It’s Time to Reclaim the Meaning of ‘cadre’

The CHR is pleased to share “The Quintessential Freedom Fighter,” written by CHR Research Associate Seelan Naidoo and published in Daily Maverick. 
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December 3, 2021

What Apartheid Means for Israel

CHR Research Affiliate Tareq Baconi publishes “What Apartheid Means for Israel” in The New York Review of Books.
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Research Platforms

  • NRF SARChI Chair in Visual History and Theory
  • Andrew W. Mellon Chair of Aesthetic Theory and Material Performance
  • Factory of the Arts
  • Laboratory of Kinetic Objects
  • Seminar Programme
  • Publications

Recently Added

  • An Archive and Forms of Sight: Gestures of Madness
    October 10, 2025
  • In Black Women’s Hands: A History of Gestures in Photography and Textile
    October 10, 2025
  • Together Apart The Irish Anti-Apartheid Movement
    October 10, 2025
✕ When autocomplete results are available use up and down arrows to review and enter to go to the desired page. Touch device users, explore by touch or with swipe gestures.

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