READ MOREZine-making workshop: Something like an archive - Exploring memory through zine-making
‘Something like an archive - Exploring memory through zine-making’ is a one day public workshop at Iyatsiba Lab facilitated by visual artist and educator, Scott Eric Williams. READ MOREExhibition Opening: Tales of History Retold
For this exhibition, eight artists were invited to select artefacts from the document archive of the Association for Visual Arts (AVA), a not-for-profit gallery and collective in Cape Town, as source material for an artistic response.READ MOREArtists’s Forum with Kemang Wa Lehulere
The Artists Forum, convened at the Centre for Humanities Research, emerges out a longstanding conversation between artists and academics working in and through the CHR. The Forum’s objective has been to connect scholarly exploration with the CHR’s Artist in Residency programme, and to bring artists and humanistic study into a more intimate adjacency.
My history of madness in the Belgian Congo will rely on tracking transactional, micro, and urgent documents as gestures. These promise to open “spheres of ethos,” with human riddles, forms of upheaval, and violence (Agamben 1992).
Contemporary Black female artists have reclaimed the everyday labor and domestic motions women have historically performed, as artistic gestures in their own right. For example, the ceramic and bronze sculptures of the African-American artist Simone Leigh have referenced vernacular processes like washing chores and needlework.
We are delighted to announce the publication of the latest edition of Kronos, titled ‘Archiving Environmental Change: Mapping a Network.’ This issue has been split into two sections, the second, Imagining the Environment, was co-edited by Patricia Hayes, Emma Minkley, and Caio Simoes de Araujo.
The 2025 International Workshop on Visual History & Theory will take place between October 14-15. It takes as its starting point the notion of gesture, which operates across a range of literal and conceptual levels.
The Artists Forum, convened at the Centre for Humanities Research, emerges out a longstanding conversation between artists and academics working in and through the CHR.
Abstracts are invited for participation in the annual workshop in Visual History & Theory to be held at the Centre for Humanities Research, University of the Western Cape, on 19-20 September 2024.
The CHR is delighted to announce the publication of ‘Our Nightly Bread: Women and the city in Ricardo Rangel’s photographs of Lourenço Marques, Mozambique (1950-1960s)’, by Patricia Hayes, which appears in Photography in Portuguese Colonial Africa, 1860–1975.