READ MORECulture and Technics Workshop: 10-12 November
The UK-SA Chair in Digital Humanities, held by Prof. Premesh Lalu, is welcoming international scholars to Cape Town in November to attend a three-day roundtable at Iyatsiba Lab in Woodstock. READ MOREFellowship Announcement: Siyanda Kobokana
We are delighted to announce that SA/UK Digital Humanities PhD fellow, Siyanda Kobokana, has been selected for the inaugural Paris Doctoral Research Residency at IFAS–Fondation Fiminco–ArTeC. READ MOREAn Archive and Forms of Sight: Gestures of Madness
My history of madness in the Belgian Congo will rely on tracking transactional, micro, and urgent documents as gestures. These promise to open “spheres of ethos,” with human riddles, forms of upheaval, and violence (Agamben 1992).
My history of madness in the Belgian Congo will rely on tracking transactional, micro, and urgent documents as gestures. These promise to open “spheres of ethos,” with human riddles, forms of upheaval, and violence (Agamben 1992).
Contemporary Black female artists have reclaimed the everyday labor and domestic motions women have historically performed, as artistic gestures in their own right. For example, the ceramic and bronze sculptures of the African-American artist Simone Leigh have referenced vernacular processes like washing chores and needlework.
We are delighted to announce the publication of the latest edition of Kronos, titled ‘Archiving Environmental Change: Mapping a Network.’ This issue has been split into two sections, the second, Imagining the Environment, was co-edited by Patricia Hayes, Emma Minkley, and Caio Simoes de Araujo.
The 2025 International Workshop on Visual History & Theory will take place between October 14-15. It takes as its starting point the notion of gesture, which operates across a range of literal and conceptual levels.
The Artists Forum, convened at the Centre for Humanities Research, emerges out a longstanding conversation between artists and academics working in and through the CHR.
Abstracts are invited for participation in the annual workshop in Visual History & Theory to be held at the Centre for Humanities Research, University of the Western Cape, on 19-20 September 2024.
The CHR is delighted to announce the publication of ‘Our Nightly Bread: Women and the city in Ricardo Rangel’s photographs of Lourenço Marques, Mozambique (1950-1960s)’, by Patricia Hayes, which appears in Photography in Portuguese Colonial Africa, 1860–1975.