READ MOREJohannesburg as Imaginarium: Public Art and Placemaking in the City
On Wednesday, 11 March, the French Institute of South Africa (IFAS) and the Goethe-Institut Johannesburg will co-host a discussion titled Johannesburg as Imaginarium: Public Art and Placemaking in the City.READ MOREFRAMEWURX, by Scott-Eric Williams
FRAMEWURX (2025) is a limited edition zine created as a companion artefact for ‘Tales of History Retold’ (2025), a group exhibition co-curated by Kim Gurney and Carlyn Strydom at Iyatsiba Lab, University of the Western Cape, and is now available in digital form. READ MOREDonation: The Immense Regression - What is Called Caring? Volume 1.
The CHR would like to thank the publisher, K. Verlag, for their generous donation of Bernard Stiegler’s The Immense Regression - What is Called Caring? Vol. 1. to the CHR and fellows of the UK-SA Bilateral Digital Humanities Chair in Culture & Technics.
The 2017 annual meeting of the Consortium of Humanities Centers and Institutes (CHCI) explored the multiple ways in which improvisation has enabled and facilitated the study of the humanities, not least in times of great social upheaval.
The 2016 Barrydale Puppet Parade and Performance brings you Olifantland, a multilingual visual theatre show featuring five majestic life size elephant puppets by Adrian Kohler from Handspring Puppet Company in collaboration with UKWANDA Puppet and Design Collective.
Open Design Festival, Cape Town City Hall, 13 – 23 August 2014
Quarter Gallery, Regis Centre for Art, University of Minnesota, 18 November – 10 December 2014
The Community Arts Project (CAP) Collection was acquired by the CHR at UWC in 2009 through a donation from the Arts and Media Access Centre (AMAC), which had previously operated as CAP. The collection consists of various bodies of visual work, including paintings, drawings, sculptures, posters, prints and photographs.