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READ MORE Open Call: The Cape Town Workshop

We are delighted to announce that applications are now open for a fully funded 12-day research and practice-led programme of workshops, discussions, and encounters with historical archives and contemporary practice in July 2027.
READ MORE ACIP: 2027 call for workshop proposals and for Ivan Karp Doctoral Research Award Applications

The African Critical Inquiry Programme (ACIP) invites proposals from scholars and/or practitioners in South Africa to organise a workshop to take place in 2028, as well as for Ivan Karp doctoral research awards for African students enrolled in South African Ph.D. programmes in 2027. The deadline for both proposals is 3 May 2027.
READ MORE Humanities in Sesssion: Twelve Theses on Thinking and Overcoming the Neocolonial in Africa

This session, titled ‘Twelve Theses on Thinking and Overcoming the Neocolonial in Africa', will be led by Michael Neocosmos. It is concerned to rethink a politics of emancipation from neocolonialism.
October 17, 2019

Dying For Gold Screening and Discussion

The story of 120 years of gold mining and racial capitalism leads to disease and extreme poverty which endures into the present. Through more than a century of deep level gold mining in South Africa, a legacy of illness, death and inequality has left its mark on the Southern African continent.
October 11, 2019

Call for Papers – Revolutionary Papers: Counter-Institutions, Politics and Culture in Periodicals of the Global South workshop

The workshop will examine 20th century periodicals and related print ephemera – including newspapers, cultural and literary journals, magazines, manifestoes, newsletters and political pamphlets – as sites of Left, anti-imperial and anti-colonial critical production throughout decolonization, anti-Apartheid struggles, and the post-colonial era.
October 10, 2019

Launch of Mellon South Lab in Performance Cultures and Embodied Creative Practices

The Andrew W Mellon Chair of Aesthetic Theory and Material Per-formance and the Laboratory of Kinetic Objects is involved in an excit-ing partnership between the CHR at UWC and the Institute of the Humanities and Global Cultures at the University of Virginia.