READ MOREHumanities in Session, Archive Lab: Immersive Technologies and the Archive
The advancement of immersive technologies is fast shaping archival practice. What does this new yet old complexity of design, history, technology and mixed realities mean for the future of storytelling, research and education?READ MOREHumanities in Sesssion, Artists' Forum with Tshegofatso Moeng
This session will be led by Tshegofatso Moeng who is a versatile South African singer, arranger, composer, and music director.READ MOREHumanities in Sesssion: ‘Returning Transitions: Memories of Persistent Crises in South African and Russian Writing’, with Ksenia Robbe
In this seminar, Ksenia Robbe present the key questions and theoretical propositions concerning the possibility of reading comparatively and connectively memories of the post-apartheid and post-Soviet ‘transitions’ in contemporary South African and Russian writing.
The advancement of immersive technologies is fast shaping archival practice. What does this new yet old complexity of design, history, technology and mixed realities mean for the future of storytelling, research and education?
In this seminar, Ksenia Robbe present the key questions and theoretical propositions concerning the possibility of reading comparatively and connectively memories of the post-apartheid and post-Soviet ‘transitions’ in contemporary South African and Russian writing.
The New Archival Visions (NAV) Programme will host Brian Tilley and Makonenyana Molete, founder members of the VNS/Afravision video collective to share how they set up VNS/Afravision in the 1980s to document the struggles sweeping across South Africa.
In this public conversation, Jordache Ellapen engages his newly published book, Indenture Aesthetics: Afro-Indian Femininities and the Queer Limits of South African Blackness.
In anticipation of the arrival of Fanon, Lorde, McGregor and several other truth-seekers, the Iyatsiba Lab, alive to its meaning “to jump”, called attention to the CHR’s 15th iteration of the annual Winter School titled Freedom, Techne/Technics, Postcoloniality. Accompanied by trusted companions, the Reading List, the Place/People, Concept and Programme, Winter School held interdisciplinary space for what it means to think and make in relation(s) at the edge of time.
‘Something like an archive - Exploring memory through zine-making’ is a one day public workshop at Iyatsiba Lab facilitated by visual artist and educator, Scott Eric Williams.
The Artists Forum, convened at the Centre for Humanities Research, emerges out a longstanding conversation between artists and academics working in and through the CHR. The Forum’s objective has been to connect scholarly exploration with the CHR’s Artist in Residency programme, and to bring artists and humanistic study into a more intimate adjacency.