The research has included site visits, a series of expert workshops, reviews of collections plans and policies, research in digital preservation, the fitting of a bespoke archival building, and the opening of the Greatmore Arts and Humanities Research Hub in which resident artists and scholars will be encouraged to make and use archival resources in addition to the research community at large.
One of the project convenors, Valmont Layne, has observed how the ground for research-based archives has shifted. We are no longer in the TRC moment of truth telling in archival recovery in South Africa. Rather it seems we are in a moment of restitution on a global scale, in which access is a critical factor. Notably, this allows one to think deliberately from the south, and from the location of a historically black university in Africa. Beyond the return of artifacts, restitution is the reconstruction and enabling of infrastructures, as a chance to shift the disciplinary grounds around archives concerned with media research. It is a rare moment that an institution gets the chance to remake itself. The university of the Western Cape has such an opportunity as it recommits to its considerable archival holdings, and plans substantial new acquisitions of photographic collections, many of which relate to Southern Africa’s documentary, cultural and political history.
As part of the university’s initiative to reactivate its archival holdings that include the UWC-Robben Island Museum-Mayibuye Archives and other specialised research and art collections on campus, UWC awarded four doctoral fellowships based at the CHR, commencing in 2022.
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