Specifically, we are interested to understand the consequences of technology on culture. To this end, our study is focused on how humanistic discourse and arts practices mediates understandings of the expansion in technological resources in the scientific revolutions from the nineteenth century to the present. The chair invites graduate students, faculty, and artists in residence at the CHR and UWC more broadly an inquiry of the cultural effects of scientific revolutions in thermodynamics, psychotechnics/psychophysics, and cybernetics, and their consequences for debates about techno-feudalism, partition and difference, ecology and environmentality, biopolitics, life philosophy, magical realism, and science fiction amongst others.
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The British Academy/National Research Foundation UK-SA Bilateral Digital Humanities Chair in Cultures of Technology, held by Professor Premesh Lalu in the Centre for Humanities Research (CHR), convenes an international study network that traces how the exercise of power relates to the co-evolution of the human and technology.
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The Charlotte Maxeke-Mary Robinson Research Chair emerges out of a longstanding collaboration between the Centre for Humanities Research (CHR) at UWC and the Trinity Long Room Hub Arts & Humanities Research Institute (TLRH) at Trinity College Dublin that has focused on colonialism, partition, postcoloniality and race. Relationships and networks forged through these institutions’ fellowship programmes have laid the groundwork for the establishment of this research chair.
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LoKO is a new initiative, funded in large measure by the Andrew W Mellon Foundation, that engages with the development of the Arts of movement.
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