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READ MORE Looking Together: International Workshop in Visual History and Theory, 2026.

The CHR will be hosting its annual International Workshop in Visual History & Theory at Iyatsiba Lab on 16-17 October 2026, in partnership with Université-Paris-8, on the theme of 'Looking Together.' Migration, solidarity and mobility across time and space are key themes. READ MORE Humanities in Session: Facing the Heat in South Africa with Vishwas Satgar

This Humanities in Session will be led by Vishwas Satgar who will be in conversation with Lee Walters about his new book and exhibition, Facing the Heat in South Africa, on Thursday 15 October, 2026. READ MORE A City in Practice: The Lubumbashi Biennale (2008-2024)

Kim Gurney, Senior Researcher at the CHR, is a contributing author for the first comprehensive publication on the Lubumbashi Biennale, a newly released book that traces relations between the city, its growing art scene and collective practice.
January 19, 2026

CHR statement on the cancellation of Gabrielle Goliath’s Elegy from the South African Pavillion at the Venice Biennale

The Centre for Humanities Research at the University of the Western Cape adds its voice to many others who are deeply concerned about the cancellation of Gabrielle Goliath’s Elegy that was officially selected for the South African Pavilion at the Venice Biennale of 2026.
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October 29, 2025

Winter School 7-11 July 2025: On the question of Freedom

In anticipation of the arrival of Fanon, Lorde, McGregor and several other truth-seekers, the Iyatsiba Lab, alive to its meaning “to jump”, called attention to the CHR’s 15th iteration of the annual Winter School titled Freedom, Techne/Technics, Postcoloniality. Accompanied by trusted companions, the Reading List, the Place/People, Concept and Programme, Winter School held interdisciplinary space for what it means to think and make in relation(s) at the edge of time.
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October 21, 2025

Artists’s Forum with Kemang Wa Lehulere

The Artists Forum, convened at the Centre for Humanities Research, emerges out a longstanding conversation between artists and academics working in and through the CHR. The Forum’s objective has been to connect scholarly exploration with the CHR’s Artist in Residency programme, and to bring artists and humanistic study into a more intimate adjacency.
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