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African Ethnographies

The African Critical Inquiry Programme (ACIP) is pleased to announce that the 2019 ACIP workshop will be African Ethnographies. The project was proposed and will be organized by colleagues at the University of the Western Cape, Jung Ran Annachiara Forte (Lecturer, Department of Anthropology and Sociology) and Sakhumzi Mfecane (Associate Professor and Chair, Department of Anthropology and Sociology). Activities will take place in Cape Town, South Africa.

While the practice of ethnography has a long history in Africa, insufficient debate has emerged around it recently on the African continent. Far from being specific only to anthropology, ethnography has become a widespread mode of knowing inside and outside academic spaces. We would like to prompt reflection around this concept and practice, which is slippery, changing, dense, polysemic, and composed of a plurality of voices. The African Ethnographies workshop will raise questions about ethnography across disciplines, its contemporary forms – not exclusively written, and its publics. Ethnography enables conceptual work that transcends simple divides between the empirical, the methodological, and the theoretical. The workshop is particularly interested in understanding how ethnography and its conceptual work can allow us to grasp the complexities of contemporary African worlds, their precariousness, and their becomings. We are interested in exploring: (1) the work of theorization that ethnography makes possible; (2) understandings of public ethnography today; and finally (3) ways to re-rethink ethnography from the African continent. The workshop seeks to open a space of dialogue by bringing together emerging scholars across different disciplines and from institutions across Africa. By engaging in discussions around theory, methods, public engagements, and ethnographic sensibilities and modes of expression, we hope to better understand the challenges of doing ethnography in Africa’s contemporary worlds. The workshop will include a performance/ lecture that explores the performative potential of ethnographic work and will result in both an edited book and a film about ethnography based on the workshop and interviews with participants.

Founded in 2012, the African Critical Inquiry Programme (ACIP) is a partnership between the Centre for Humanities Research at University of the Western Cape in Cape Town and the Laney Graduate School of Emory University in Atlanta. Supported by donations to the Ivan Karp and Corinne Kratz Fund, the ACIP fosters thinking and working across public cultural institutions, across disciplines and fields, and across generations. It seeks to advance inquiry and debate about the roles and practice of public culture, public cultural institutions and public scholarship in shaping identities and society in Africa through an annual ACIP workshop and through the Ivan Karp Doctoral Research Awards, which support African doctoral students in the humanities and humanistic social sciences enrolled at South African universities. Information about applying to organize the 2020 ACIP workshop and for the 2019 Ivan Karp Doctoral Research Awards will be available in November 2018. The deadline for both workshop applications and student applications is 1 May 2019. For further information, see http://www.gs.emory.edu/about/special/acip.html and https://www.facebook.com/ivan.karp.corinne.kratz.fund.

http://www.gs.emory.edu/about/special/acip.html

https://www.facebook.com/ivan.karp.corinne.kratz.fund

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Centre for Humanities Research

3 weeks ago

Centre for Humanities Research
Tomorrow, Friday 8 September, Itumeleng Wa Lehulere will be giving a talk at the University of Minnesota’s Interdisciplinary Centre for the Study of Global Change. Titled ‘Standing Stage Left at South African Theatres’ and scheduled for 19:00 – 20:00 (SAST), Wa Lehulere will reflect on his artistic journey from the late 1970s; what he calls “his comrades marathon” and a “journey of brutality, grief, and healing; breaking and mending,searching and searching...and observing”. Please make time to listen to a conversation about art as a weapon of struggle and resistance. You can livestream by following this link: buff.ly/3P6zCTB. Itumeleng’s life in the arts and political fraternities spans over thirty years. Beginning as an activist in apartheid South Africa, he was renowned as a very influential figure that many young people listened to and followed. He played a significant role in the formation of COSAS in the Western Cape, while playing a prominent role in the church, being part of the choir and playing marimba for the St Gabriel’s Catholic Church. His artistic career started as a poet, musician and dancer who later worked with Gibson Kente Productions in Johannesburg, playing lead roles along side Brenda Fassie in “Hungary Spoon”. Affectionately known as Bra E, he has conceptualized and directed a number of prominent pieces of provocative pieces for theatre, like… “You strike the woman, You Strike the Rock” “Down Adderly Street” “Gap toothed Sisters “Roxy” the musical “Diaries of my Womanhood” “Red Winter” “Echoes of our Footsteps”, all of which were played out in the major theaters of South and abroad, spanning a period of over 20 years. After completing his performance Diploma under the prolific Professor Mavis Taylor, Itumeleng worked with many Directors in Theatre that include: Barney Simon, Janice Honeyman, Ester van Ryswerk, Mark Fleishman. Itumeleng has also worked intensively with the legendary Mike van Graan at the Community Arts Project School of Popular Theatre. His best work appeared at the Market theatre under owners of The Handspring Puppet Companies Basil Jones and Adrian Kholer in a production entitled “Carnival of the Bear”. Itumeleng was instrumental in the forming of the Market Theatre laboratory alongside Mark Fleishman under the leadership of Mannie Manim and Barney Simon. Itumeleng has taught at the following institutions: Alexander Arts Center(JHB), Fuba Academy(JHB,) New world Foundation(CT), Community Arts Project(CT), and tutored at the University of Cape Town Drama School. Itumeleng was one of few actors to be contracted to the Performing Arts Council of the Transvaal(1990). He has since been commissioned by City of Cape Town (writer/director: Affirmative Action Education program) which was converted into a video drama also directed by Itumeleng. Itumeleng then moved on to found and direct for twelve years the multi award-winning Ikhwezi Annual Theatre Festival in association with the Baxter Theatre Center at the University of Cape Town under the astute leadership of Mannie Manim. The Festival was chosen as the Cultural Development Project of the year(2004). Itumeleng is also very interested and involved in writing, directing and acting in television series and movies, the latest of which was conceptualizing, writing and directing the acclaimed romantic comedy "Forced Loved" produced by Penguin Films. Itumeleng was the Artistic Director of the Jozi Bookfair, hosted by Khanya College at Wits University (2014-2016). Wa Lehulere is an intellectual who strives to tell current and thought provoking works, that speak to the times. His approach to theatre is avoiding the over use of props to encourage the actor to use his/her instrument(body and voice) to tell the story holistically. He is in residence with ICGC in August and September 2023. ... See MoreSee Less

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Centre for Humanities Research

3 weeks ago

Centre for Humanities Research
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Centre for Humanities Research

3 weeks ago

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3 weeks ago

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4 weeks ago

Centre for Humanities Research
We had a wonderful writing workshop and masterclass yesterday with Eoin McNamee, the CHR's inaugural #Maxeke-Robinson Research Chair. If creative writing is, according to McNamee, ultimately an act of bearing witness, then “teaching” writing is really about teaching the art of careful observation, attentiveness, and deep perception; moving from the periphery to the centre and building each piece of writing from the negative space that surrounds characters and effects. Details matter and the writer's craft entails sharp attentiveness to the minutiae of a story in order to activate the reader's sensory faculties. We had the great pleasure of welcoming colleagues from the English Department’s Creative Writing programme and hope this workshop catalyses other opportunities for collaboration. ... See MoreSee Less

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Research Platforms

  • NRF SARChI Chair in Visual History and Theory
  • Andrew W. Mellon Chair of Aesthetic Theory and Material Performance
  • Factory of the Arts
  • Laboratory of Kinetic Objects
  • Seminar Programme
  • Publications

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