READ MOREAn Archive and Forms of Sight: Gestures of Madness
My history of madness in the Belgian Congo will rely on tracking transactional, micro, and urgent documents as gestures. These promise to open “spheres of ethos,” with human riddles, forms of upheaval, and violence (Agamben 1992). READ MOREIn Black Women’s Hands: A History of Gestures in Photography and Textile
Contemporary Black female artists have reclaimed the everyday labor and domestic motions women have historically performed, as artistic gestures in their own right. For example, the ceramic and bronze sculptures of the African-American artist Simone Leigh have referenced vernacular processes like washing chores and needlework. READ MORETogether Apart The Irish Anti-Apartheid Movement
In April 1964, the Irish Anti-Apartheid Movement (IAAM) was launched in Dublin by Kader Asmal, a South-African professor of law in Trinity College. Lobbying for improved human rights and liberation in South Africa, the Movement raised awareness of the racism experienced by communities and campaigned for the release of political prisoners.
Kitso Lelliot is an Andrew W. Mellon Artist in Residence at the Centre for Humanities Research. The show is at The Södertälje Konsthall and will run from the 7th March until the 10th of May.
The CHR’s Professor Premesh Lalu to present a paper titled: ‘Theatrical Politics: Ubu and the Truth Commission Revisited’ at The University of Stellenbosch.