READ MORETechnics and the Urban: UK-SA Chair in Culture and Technics annual workshop.
The UK-SA Chair in Culture & Technics, a bilateral programme between the British Academy and South Africa’s National Research Foundation, convenes an international study network that traces how the exercise of power relates to the co-evolution of the human and technology.READ MOREHumanities in Session: Indenture Aesthetics in South Africa with Jordache Ellapen
In this public conversation, Jordache Ellapen engages his newly published book, Indenture Aesthetics: Afro-Indian Femininities and the Queer Limits of South African Blackness.READ MOREEncounters Documentary Film Festival: Encounters Talks
We are delighted to once again collaborate with Encounters Documentary Film Festival, and will be hosting a series of Encounters Talks at Iyatsiba Lab on 5 and 6 June.
My history of madness in the Belgian Congo will rely on tracking transactional, micro, and urgent documents as gestures. These promise to open “spheres of ethos,” with human riddles, forms of upheaval, and violence (Agamben 1992).
Contemporary Black female artists have reclaimed the everyday labor and domestic motions women have historically performed, as artistic gestures in their own right. For example, the ceramic and bronze sculptures of the African-American artist Simone Leigh have referenced vernacular processes like washing chores and needlework.
In April 1964, the Irish Anti-Apartheid Movement (IAAM) was launched in Dublin by Kader Asmal, a South-African professor of law in Trinity College. Lobbying for improved human rights and liberation in South Africa, the Movement raised awareness of the racism experienced by communities and campaigned for the release of political prisoners.
We are delighted to announce that Undoing Apartheid by Premesh Lalu has been translated into Turkish and published by Afrika Vakfi Yayinevi. See below for more information about Undoing Apartheid and its Turkish translation, Apartheid’ı Ortadan Kaldırmak.
The Artists Forum, convened at the Centre for Humanities Research, emerges out a longstanding conversation between artists and academics working in and through the CHR.
The New Archival Visions (NAV) programme at the Centre for Humanities Research (CHR), University of the Western Cape (UWC), is offering fellowships for the remainder of 2025. Funding support comes from the Department of Higher Education and Training (DHET).
The Centre for Humanities Research (UWC) and the Encounters South African International Documentary Film Festival cordially invite you to the second session of ENGAGE/REFLECT/CREATE: The CHR-Encounters Documentary Series, a monthly screening programme which will run until December 2025.
The Artists Forum, convened at the Centre for Humanities Research, emerges out a longstanding conversation between artists and academics working in and through the CHR.
We are delighted to announce that the Centre for Humanities Research and the University of the Western Cape have signed two historic memoranda of understanding with Compagnie Sogolon, Bamako, Mali, and Iziko Museums of South Africa.