READ MOREHumanities in Sesssion, Artists' Forum with Tshegofatso Moeng
This session will be led by Tshegofatso Moeng who is a versatile South African singer, arranger, composer, and music director.READ MOREHumanities in Sesssion: ‘Returning Transitions: Memories of Persistent Crises in South African and Russian Writing’, with Ksenia Robbe
In this seminar, Ksenia Robbe present the key questions and theoretical propositions concerning the possibility of reading comparatively and connectively memories of the post-apartheid and post-Soviet ‘transitions’ in contemporary South African and Russian writing. READ MOREArchive Lab: 'Archiving Resistance: The VNS/AFRAVISION Collective', with Brian Tilley and Makonenyana Molete
The New Archival Visions (NAV) Programme will host Brian Tilley and Makonenyana Molete, founder members of the VNS/Afravision video collective to share how they set up VNS/Afravision in the 1980s to document the struggles sweeping across South Africa.
We are delighted to once again collaborate with Encounters Documentary Film Festival, and will be hosting a series of Encounters Talks at Iyatsiba Lab on 5 and 6 June.
The CHR would like to thank the publisher, K. Verlag, for their generous donation of Bernard Stiegler’s The Immense Regression - What is Called Caring? Vol. 1. to the CHR and fellows of the UK-SA Bilateral Digital Humanities Chair in Culture & Technics.
FRAYMWURX (2025) is a limited edition zine created as a companion artefact for ‘Tales of History Retold’ (2025), a group exhibition co-curated by Kim Gurney and Carlyn Strydom at Iyatsiba Lab, University of the Western Cape, and is now available in digital form.
The CHR would like to thank the publisher, K. Verlag, for their generous donation of Bernard Stiegler’s The Immense Regression - What is Called Caring? Vol. 1. to the CHR and fellows of the UK-SA Bilateral Digital Humanities Chair in Culture & Technics.
There is a double bind to writing about performance art, or live art as it is also called. Generally speaking, live art involves combinations of the body, time and space.
Lester Kiewit speaks to Premesh Lalu, a UWC research professor, on the lessons we can learn from the Trojan Horse Massacre in 1985, as well as the misconceptions about those at grassroots level fighting the apartheid machine with intellect and limited resources.
For this exhibition, eight artists were invited to select artefacts from the document archive of the Association for Visual Arts (AVA), a not-for-profit gallery and collective in Cape Town, as source material for an artistic response.
We are delighted to announce that SA/UK Digital Humanities PhD fellow, Siyanda Kobokana, has been selected for the inaugural Paris Doctoral Research Residency at IFAS–Fondation Fiminco–ArTeC.
We are delighted to announce that Undoing Apartheid by Premesh Lalu has been translated into Turkish and published by Afrika Vakfi Yayinevi. See below for more information about Undoing Apartheid and its Turkish translation, Apartheid’ı Ortadan Kaldırmak.