chr 500-0bCHR Dark Textchr 500-0bchr 500-0b
  • About
    • Centre for Humanities Research
    • DSI-NRF Flagship
    • Partnerships
    • Funders
    • Reports
    • Staff
  • Iyatsiba Lab
    • LoKO
    • Sound Working Group
    • Documentary film
  • New Archival Visions
  • Research Platforms
    • Aesthetics and Politics
      • Factory of the Arts
        • About the Factory of the Arts
        • Convening the Factory of the Arts
        • Artists in Residence
      • Research Projects
    • Becoming Technical of the Human
      • Laboratory of Kinetic Objects
      • Research Projects
    • Migrating Violence
      • Research Projects
        • Political Theory and Philosophy
        • Trans-formative Consitutionalism
  • Research Chairs
    • NRF SARChI Chair in Visual History and Theory
      • Postgraduate bursaries and postdoctoral fellowships in Visual History & Theory
      • Postgraduate Module In Visual History, 2023 (HIS 735/835)
    • Charlotte Maxeke-Mary Robinson Research Chair
    • UK-SA Bilateral Digital humanities chair in culture and technics
  • Fellowship Programme
    • Fellows
    • Winter School
    • Visiting Scholars
    • Seminar Programme
  • Publications & Archive
    • Publications & Creative Outputs
    • Galleries
    • Video
    • Film
    • Podcast
  • News
    • Workshops
    • Conferences
    • Lectures
    • Special Meetings
    • Colloquia
    • Seminars
    • Arts Events
  • Contact
✕ When autocomplete results are available use up and down arrows to review and enter to go to the desired page. Touch device users, explore by touch or with swipe gestures.
            No results See all results

            Nsima Udo Wins Africa Thesis Award

            The CHR congratulate Nsima Udo, currently a CHR Doctoral Fellow with the SARChI Chair in Visual History & Theory, for winning the prestigous Africa Thesis Award from the African Studies Centre of the University of Leiden in The Netherlands. The prize is for the best MA thesis in African Studies. The notice from Leiden is as follows:

            Winner Africa Thesis Award 2019: Nsima Stanislaus Udo. Visualising the body: photographic clues and the cultural fluidity of Mbopo institution, 1914 – 2014.

            This year a total of forty one high-quality Master’s theses were submitted to the Africa Thesis Award. The submitted theses were all based on independent research related to Africa and represented a diverse range of disciplinary fields. The Africa Thesis Award committee is glad to announce that this year’s winner is Nsima Stanislaus Udo (University of Western Cape, South Africa) for his thesis Visualising the body: photographic clues and the cultural fluidity of Mbopo institution, 1914 – 2014. The thesis unpacks the history of mbopo, a form of female initiation in Southern Nigeria. It argues for the importance of studying popular representations of the ritual and shows the changes of the institution over time, analysing its social meaning and how it has been aesthetically represented and valued differently over time. Through detailed analysis of documentary and visual sources, it shows how it emerges historically, is discredited in the 1990s as a form of female mutilation and is re-appreciated in recent reality TV shows. The committee commends his thesis for being very readable, its original use of visual analysis and how it links detailed insights into the ritual to wider societal transformations. The Award consists of a prize of 500 euros, publication of the winning thesis in the ASCL’s African Studies Collection and an invitation to present the thesis at the award ceremony.

            Share
            2

            Related posts

            May 20, 2025

            Publication: Instituting Worlds


            Read more
            May 16, 2025

            Tectonic: TOMBWA – A solo performance by Victor Gama


            Read more
            May 7, 2025

            African Studies Annual Lecture 2025: ‘The Becoming Technical of the Human: Race After Apartheid’, Premesh Lalu


            Read more
            April 30, 2025

            ‘Slave Heritage & Cape Music’, with Valmont Layne.


            Read more

            Research Platforms

            • NRF SARChI Chair in Visual History and Theory
            • Andrew W. Mellon Chair of Aesthetic Theory and Material Performance
            • Factory of the Arts
            • Laboratory of Kinetic Objects
            • Seminar Programme
            • Publications

            Recently Added

            • Publication: Instituting Worlds
              May 20, 2025
            • Tectonic: TOMBWA – A solo performance by Victor Gama
              May 16, 2025
            • African Studies Annual Lecture 2025: ‘The Becoming Technical of the Human: Race After Apartheid’, Premesh Lalu
              May 7, 2025
            ✕ When autocomplete results are available use up and down arrows to review and enter to go to the desired page. Touch device users, explore by touch or with swipe gestures.

            SUBSCRIBE TO OUR NEWSLETTER


            Stay up to date with the latest news and developments from the Centre for Humanities Research.



            © 2025 UWC | The Centre for Humanities Research. All Rights Reserved. Designed By Spotkolours Design
                        No results See all results