chr 500-0bCHR Dark Textchr 500-0bchr 500-0b
  • About
    • Centre for Humanities Research
    • DSI-NRF Flagship
    • Partnerships
    • Funders
    • Reports
    • Staff
  • Iyatsiba Lab
    • LoKO
    • Sound Working Group
    • Documentary film
  • New Archival Visions
  • Research Platforms
    • Aesthetics and Politics
      • Factory of the Arts
        • About the Factory of the Arts
        • Convening the Factory of the Arts
        • Artists in Residence
      • Research Projects
    • Becoming Technical of the Human
      • Laboratory of Kinetic Objects
      • Research Projects
    • Migrating Violence
      • Research Projects
        • Political Theory and Philosophy
        • Trans-formative Consitutionalism
  • Research Chairs
    • NRF SARChI Chair in Visual History and Theory
      • Postgraduate bursaries and postdoctoral fellowships in Visual History & Theory
      • Postgraduate Module In Visual History, 2023 (HIS 735/835)
    • Charlotte Maxeke-Mary Robinson Research Chair
    • UK-SA Bilateral Digital humanities chair in culture and technics
  • Fellowship Programme
    • Fellows
    • Winter School
    • Visiting Scholars
    • Seminar Programme
  • Publications & Archive
    • Publications & Creative Outputs
    • Galleries
    • Video
    • Film
    • Podcast
  • News
    • Workshops
    • Conferences
    • Lectures
    • Special Meetings
    • Colloquia
    • Seminars
    • Arts Events
  • Contact
✕ When autocomplete results are available use up and down arrows to review and enter to go to the desired page. Touch device users, explore by touch or with swipe gestures.
            No results See all results

            Love & Revolution

            A workshop series & publication project

            A series of four international workshops on ‘love’ and ‘revolution’ took place in Cape Town (October 2010), Minneapolis (March-April 2011), Delhi (20-22 January 2012) and Cape Town (October 2012). The workshops put politics, aesthetics and the affective turn into the same frame, inaugurating an unprecedented and intensive dialogue across regions such as southern Africa, South Asia, the Middle East and the Balkans.

            Thematics

            Initially the notion of putting both love and revolution into harness together came from a sense that during southern African liberation struggles and their aftermaths, nationalist discourses and later historiographies went in certain directions, but that popular cultures emphasized issues that complicated these teleologies. They were however in some kind of relation. As the workshops evolved, powerful new insights emerged around the self-realization of subjects rubbing along with (or up against) the urgencies of anti-colonial or other political resistance. Agendas and pressures of personal and even sexual liberation were proliferating and were to be channeled, harnessed, educated or disciplined as politics became increasingly defined and directed, often sublimating various forms of desire. Papers explored the ways subjects escaped, sometimes through the word, writing, images or secret intimacies across certain lines, where clandestine love was at home in clandestine politics, resulting in transference, ‘shattered love’ and shadow archives. The result was frequently an unhappy marriage of the movement/s and later postcolonial nations and their alienated, confused, or disappointed citizens. It seemed that politics must deal with affect and even ‘outlaw’ certain forms of emotion, or the result would become ‘disaffection’. This political emphasis in its turn has helped to shift the ways the affective turn is conceived, in radically critical ways.

            As the series attempted to bring the histories and theories of politics and emotion and/or affect into the same analytical frame, the most obvious move was to focus on the often-submerged undercurrents within liberation or nationalist movements (such as the ANC in South Africa). However an increasingly strong sense emerged of the transnational affective bonds and shared revolutionary texts, figures, theories and affinities across oceans and continents that presented another range of transnational issues and often common intellectual grounds. Discussions also came to highlight the ways structural adjustment, the Cold War and neoliberalism have in recent years cast into doubt the ostensible certainties and lost possibilities of these earlier forms of political struggle.

            The workshops engaged with anti-colonial, leftist, insurgent, Dalit, revolutionary, Islamic, post-socialist, postcolonial, postapartheid and labour histories and spaces. Amongst many other things, aesthetic issues surface repeatedly. Put simply, how does one mobilize people to feel certain things? Or, how do people’s feelings mobilize certain politics? How do these get expressed and pushed into actualisation, or become suppressed into the indeterminate and the unconscious? What languages do we have for these? What are the political and temporal effects of these affects?

            The four workshops hosted over sixty papers by faculty and postgraduate students, and a publication is in preparation.

            Editorial group

            Patricia Hayes, Department of History, University of the Western Cape
            PremeshLalu, Centre for Humanities Research, University of the Western Cape
            G. Arunima, Centre for Women’s Studies, Jawaharlal Nehru University, Delhi,

            Gallery

            Share
            0

            Related posts

            Images by Ajay Lalu, courtesy of the CHR and Net Vir Pret.

            January 10, 2025

            Minister De Lille joins Net Vir Pret and the CHR at Barrydale’s annual Reconciliation Day Festival.


            Read more

            Pro-Vocation Group Photo

            December 3, 2024

            Pro-Vocation: Roots and Wings 20-24 November 2024


            Read more
            September 10, 2024

            Visual History and Theory International Workshop: Deep Time, Shallow Time


            Read more
            September 21, 2022

            Imaginary Futures Live Performance at the Global Peripheries Conference Paris


            Read more

            Search

            ✕ When autocomplete results are available use up and down arrows to review and enter to go to the desired page. Touch device users, explore by touch or with swipe gestures.

            Sign Up to our newsletter


            Stay up to date with the latest news and developments from the Centre for Humanities Research.




            Recent Media

            • ENGAGE/REFLECT/CREATE: The CHR-Encounters Documentary Series
              August 19, 2025
            • Holding a Thought – The puppetry of Ukwanda
              July 18, 2025
            • The Herds
              April 9, 2025
            Centre for Humanities Research

            6 days ago

            Centre for Humanities Research
            Please join us for the next Humanities in Session Seminar, 'Tyranny: The Third Term." Date: Thurs 28 August 2025 Time: 1:00pm – 3:00pmVenue: The CHR’s Iyatsiba Lab For more info link on Bio... ... See MoreSee Less

            Photo

            View on Facebook
            · Share

            Share on Facebook Share on Twitter Share on Linked In Share by Email

            Centre for Humanities Research

            6 days ago

            Centre for Humanities Research
            Our fourth announcement of the Artist Forum is themed: Exhibition as MethodDate: Thurs 28th Aug 2025Time: 11:00 am - 13:00pmVenue: The CHR's Iyatsiba Lab,66 Greatmore Street, Woodstock (enter via Regent St)For more info link on Bio... ... See MoreSee Less

            Photo

            View on Facebook
            · Share

            Share on Facebook Share on Twitter Share on Linked In Share by Email

            Centre for Humanities Research

            1 week ago

            Centre for Humanities Research
            The Centre for Humanities Research (UWC) and the Encounters South African International Documentary Film Festival cordially invite you to the opening session of ENGAGE/REFLECT/CREATE: The CHR-Encounters Documentary Series, a monthly screening programme which will run from now until December 2025.The newly formed Proof of Life Trio, featuring CHR post-doctoral fellow Reza Khota on guitar, Asher Gamedze on drums and Sean Sanby on bass, will be improvising live to Charlie Chaplin’s 1936 silent film MODERN TIMES.The trio “attempts to bring together the composed idea that is at the same time endlessly malleable. Taking the phrase as a springboard into the unknown, or perhaps shared collective archive of grooves and affects. The only certainty is that every performance will be unrepeatable. The ensemble is also an offshoot of a collaboration between Khota and Gamedze in Free Music, Free Palestine. The name of the ensemble reflects on the imperative to improvise and think in the moment, as an antithesis to the new forms of techno-fascism, mechanisation and assimilation of the sensorium into the neoliberal order.” For more info link on bio : ... See MoreSee Less

            Photo

            View on Facebook
            · Share

            Share on Facebook Share on Twitter Share on Linked In Share by Email

            Centre for Humanities Research

            1 week ago

            Centre for Humanities Research
            Dear colleagues, fellows and friends,Please join us for the next Humanities in Session Seminar, and the book launch of Research and Activism: Ruth First & Activist Research, on Wednesday 3 September at the Iyatsiba Lab. This session will be led by Saleem Badat (co-editor of Research and Activism) who will be in conversation with Michael Weeder. For more information: www.chrflagship.uwc.ac.za/research-and-activisim-ruth-first-activist-research/ ... See MoreSee Less

            Photo

            View on Facebook
            · Share

            Share on Facebook Share on Twitter Share on Linked In Share by Email

            Centre for Humanities Research

            1 week ago

            Centre for Humanities Research
            Dear all,On Thursday 21 August, Maurits van Bever Donker will be in conversation (in person and online) with the University of Stellenbosch's Department of English about his monograph, Texturing Difference: “Black Consciousness Philosophy "and the “Script of Man”. Texturing Difference (2024), is available through Polity Press in the series Critical South with a Preface by Yala Kisukidi. It is located at the intersection of postcolonial and critical theory, literature and philosophy. In it, he situates the nuanced intervention of the Black Consciousness Movement in South Africa within the international conjuncture of anti-colonial thought and decolonisation. He makes the argument that the Black Consciousness Movement, in addition to its urgent political focus, should also be read as a philosophical intervention on the problem of Man that haunts the idea of race. ... See MoreSee Less

            Photo

            View on Facebook
            · Share

            Share on Facebook Share on Twitter Share on Linked In Share by Email

            Research Platforms

            • NRF SARChI Chair in Visual History and Theory
            • Andrew W. Mellon Chair of Aesthetic Theory and Material Performance
            • Factory of the Arts
            • Laboratory of Kinetic Objects
            • Seminar Programme
            • Publications

            Recently Added

            • Social Sciences Research Council Award Announcement: Ingrid Masondo and Tammy-Lee Lakay
              August 28, 2025
            • Tyranny, The Third Term
              August 25, 2025
            • Artists Forum: with Phokeng Setai
              August 22, 2025
            ✕ When autocomplete results are available use up and down arrows to review and enter to go to the desired page. Touch device users, explore by touch or with swipe gestures.

            SUBSCRIBE TO OUR NEWSLETTER


            Stay up to date with the latest news and developments from the Centre for Humanities Research.



            © 2025 UWC | The Centre for Humanities Research. All Rights Reserved. Designed By Spotkolours Design
                      No results See all results