chr 500-0bCHR Dark Textchr 500-0bchr 500-0b
  • About
    • Centre for Humanities Research
    • DSI-NRF Flagship
    • Partnerships
    • Funders
    • Reports
    • Staff
  • Iyatsiba Lab
    • LoKO
    • Sound Working Group
    • Documentary film
  • New Archival Visions
  • Research Platforms
    • Aesthetics and Politics
      • Factory of the Arts
        • About the Factory of the Arts
        • Convening the Factory of the Arts
        • Artists in Residence
      • Research Projects
    • Becoming Technical of the Human
      • Laboratory of Kinetic Objects
      • Research Projects
    • Migrating Violence
      • Research Projects
        • Political Theory and Philosophy
        • Trans-formative Consitutionalism
  • Research Chairs
    • NRF SARChI Chair in Visual History and Theory
      • Postgraduate bursaries and postdoctoral fellowships in Visual History & Theory
      • Postgraduate Module In Visual History, 2023 (HIS 735/835)
    • Charlotte Maxeke-Mary Robinson Research Chair
    • UK-SA Bilateral Digital humanities chair in culture and technics
  • Fellowship Programme
    • Fellows
    • Winter School
    • Visiting Scholars
    • Seminar Programme
  • Publications & Archive
    • Publications & Creative Outputs
    • Galleries
    • Video
    • Film
    • Podcast
  • News
    • Workshops
    • Conferences
    • Lectures
    • Special Meetings
    • Colloquia
    • Seminars
    • Arts Events
  • Contact
✕ When autocomplete results are available use up and down arrows to review and enter to go to the desired page. Touch device users, explore by touch or with swipe gestures.
            No results See all results

            Die Name Wat Ons Gee/The Names That We Give

            The CHR, along with partners Net Vir Pret, Ukwanda Design and Puppet Company and the Handspring Puppet Trust, hosted the Annual Barrydale Reconciliation Day Puppet Parade on the 13th of December 2016 under the thematic ‘Die Name Wat Ons Gee’ (The Names That We Give).

            This reflexive documentary film explores one year (2015) in an otherwise diachronic social project between a number of creative, educational, pub-lic, social-development and grant organisations. The long-term project is about Geographies of Collaboration through the past, present and future. Each December month, in Barrydale, for the past six years, this collabora-tion culminates with the presentation of a performative theatre play and parade using giant puppets. These giant puppets are conceptualised, de-signed, produced and performed by a collective of local talent. In response to the question of reconciliation, this negotiated collaboration engages with notions of healing, reparation and reconciliation embedded in the process of the project itself. The film, and the broader project the film hopes to reflect, deals with the question of belonging and the vagaries and ambiguity of identity through time, which is inextricably linked relations of power. The film captures the process of creating localised theatre, as both performance and pedagogy, with the aim to empower participants in sculpting narratives about their own histories on their own terms. Puppetry and theatre is used as a means to tell strong narratives about (dialectic) pasts and difficult themes like slavery, with the hope that art can become the conduit to reconciliation with oneself, one’s history and between those deemed on the opposite sides of history. In the same light that museums are not just projects about the past, but are also part of symbolic gestures of reparations, this project is about projecting an image of futures by en-gaging with the past through puppetry, to imagine what the Future Nation could look like.

            The film was produced and directed by UNIMA SA and Handspring Puppet Trust Executive Director Khanyisile Mbongwa and CHR Masters Fellow Damian Samuels.

            View it here:

            Die Name Wat Ons Gee from Jean-Paul Moodie on Vimeo.

            Share
            0

            Related posts

            June 9, 2025

            Global dis:connect Academic Advisory Board announcement


            Read more
            June 6, 2025

            A listening session with Leila Bencharnia


            Read more
            June 2, 2025

            DSTI-NRF Call for Application Endorsements: UK-SA Bilateral Chair in the Digital Humanities and SARChI Chair in Visual History and Theory.


            Read more
            May 28, 2025

            In Defence of the Ontological Category of Ubuqaba


            Read more

            Research Platforms

            • NRF SARChI Chair in Visual History and Theory
            • Andrew W. Mellon Chair of Aesthetic Theory and Material Performance
            • Factory of the Arts
            • Laboratory of Kinetic Objects
            • Seminar Programme
            • Publications

            Recently Added

            • Global dis:connect Academic Advisory Board announcement
              June 9, 2025
            • A listening session with Leila Bencharnia
              June 6, 2025
            • DSTI-NRF Call for Application Endorsements: UK-SA Bilateral Chair in the Digital Humanities and SARChI Chair in Visual History and Theory.
              June 2, 2025
            ✕ When autocomplete results are available use up and down arrows to review and enter to go to the desired page. Touch device users, explore by touch or with swipe gestures.

            SUBSCRIBE TO OUR NEWSLETTER


            Stay up to date with the latest news and developments from the Centre for Humanities Research.



            © 2025 UWC | The Centre for Humanities Research. All Rights Reserved. Designed By Spotkolours Design
                      No results See all results