chr 500-0bCHR Dark Textchr 500-0bchr 500-0b
  • About
    • Centre for Humanities Research
    • DSI-NRF Flagship
    • Partnerships
    • Funders
    • Reports
    • Staff
  • Iyatsiba Lab
    • LoKO
    • Sound Working Group
    • Documentary film
  • New Archival Visions
  • Research Platforms
    • Aesthetics and Politics
      • Factory of the Arts
        • About the Factory of the Arts
        • Convening the Factory of the Arts
        • Artists in Residence
      • Research Projects
    • Becoming Technical of the Human
      • Laboratory of Kinetic Objects
      • Research Projects
    • Migrating Violence
      • Research Projects
        • Political Theory and Philosophy
        • Trans-formative Consitutionalism
  • Research Chairs
    • NRF SARChI Chair in Visual History and Theory
      • Postgraduate bursaries and postdoctoral fellowships in Visual History & Theory
      • Postgraduate Module In Visual History, 2023 (HIS 735/835)
    • Charlotte Maxeke-Mary Robinson Research Chair
    • UK-SA Bilateral Digital humanities chair in culture and technics
  • Fellowship Programme
    • Fellows
    • Winter School
    • Visiting Scholars
    • Seminar Programme
  • Publications & Archive
    • Publications & Creative Outputs
    • Galleries
    • Video
    • Film
    • Podcast
  • News
    • Workshops
    • Conferences
    • Lectures
    • Special Meetings
    • Colloquia
    • Seminars
    • Arts Events
  • Contact
✕ When autocomplete results are available use up and down arrows to review and enter to go to the desired page. Touch device users, explore by touch or with swipe gestures.
            No results See all results

            Creative Cities, Graffiti and Culture‐Led Development in South Africa: Dlala Indima (‘Play Your Part’)

            The CHR congratulates post-doctoral fellow, Dr Rike Sitas, on her latest publication: ‘Creative Cities, Graffiti and Culture‐Led Development in South Africa: Dlala Indima (‘Play Your Part’) in the International Journal of Urban and Regional Research.

            Rike Sitas writes

            Creative cities and culture‐led development discourses have come under increasing scrutiny as elite‐centric economic development agendas tend to trump ‘civic creativity’ ideals as imagined by Charles Landry. In South Africa, culture‐led development and cultural policy tends to primarily mimic that of the global North, largely focusing on culture as a catalyst for economic and property development. Public art commissioning processes tend to focus on decorative projects as part of urban upgrading, which are often associated with ensuing gentrification and displacement of the urban poor. In contrast to focusing on these kinds of regeneration strategies, this article investigates Dlala Indima, a hip‐hop‐led graffiti project in a rural township in the Eastern Cape of South Africa. This article situates graffiti as a critical social and spatial practice to argue that this case challenges normative cultural planning paradigms. Dlala Indima’s work is an alternative approach to cultural development by and for young people who are usually marginalized by the mainstream practice of culture‐led economic development. The project challenges dominant creative cities and culture‐led development discourses in three ways: first, it challenges the normative processes of regeneration; secondly, it grounds participatory practice; and finally, it shifts participation from ‘tyranny to transformation’ through the ubuntu of hip‐hop, the notion of ubuntu being based on the communitarian notion of ‘ubuntu, ngubuntu ngabantu’—‘I am because you are’.

            READ HERE

            Rike Sitas

            Postdoctoral

            VIEW PROFILE
            Share
            0

            Related posts

            June 9, 2025

            Global dis:connect Academic Advisory Board announcement


            Read more
            June 6, 2025

            A listening session with Leila Bencharnia


            Read more
            June 2, 2025

            DSTI-NRF Call for Application Endorsements: UK-SA Bilateral Chair in the Digital Humanities and SARChI Chair in Visual History and Theory.


            Read more
            May 28, 2025

            In Defence of the Ontological Category of Ubuqaba


            Read more

            Research Platforms

            • NRF SARChI Chair in Visual History and Theory
            • Andrew W. Mellon Chair of Aesthetic Theory and Material Performance
            • Factory of the Arts
            • Laboratory of Kinetic Objects
            • Seminar Programme
            • Publications

            Recently Added

            • Global dis:connect Academic Advisory Board announcement
              June 9, 2025
            • A listening session with Leila Bencharnia
              June 6, 2025
            • DSTI-NRF Call for Application Endorsements: UK-SA Bilateral Chair in the Digital Humanities and SARChI Chair in Visual History and Theory.
              June 2, 2025
            ✕ When autocomplete results are available use up and down arrows to review and enter to go to the desired page. Touch device users, explore by touch or with swipe gestures.

            SUBSCRIBE TO OUR NEWSLETTER


            Stay up to date with the latest news and developments from the Centre for Humanities Research.



            © 2025 UWC | The Centre for Humanities Research. All Rights Reserved. Designed By Spotkolours Design
                      No results See all results