chr 500-0bCHR Dark Textchr 500-0bchr 500-0b
  • About
    • Centre for Humanities Research
    • DSI-NRF Flagship
    • Partnerships
    • Funders
    • Reports
    • Staff
  • Iyatsiba Lab
    • LoKO
    • Sound Working Group
    • Documentary film
  • New Archival Visions
  • Research Platforms
    • Aesthetics and Politics
      • Factory of the Arts
        • About the Factory of the Arts
        • Convening the Factory of the Arts
        • Artists in Residence
      • Research Projects
    • Becoming Technical of the Human
      • Laboratory of Kinetic Objects
      • Research Projects
    • Migrating Violence
      • Research Projects
        • Political Theory and Philosophy
        • Trans-formative Consitutionalism
  • Research Chairs
    • NRF SARChI Chair in Visual History and Theory
      • Postgraduate bursaries and postdoctoral fellowships in Visual History & Theory
      • Postgraduate Module In Visual History, 2023 (HIS 735/835)
    • Charlotte Maxeke-Mary Robinson Research Chair
    • UK-SA Bilateral Digital humanities chair in culture and technics
  • Fellowship Programme
    • Fellows
    • Winter School
    • Visiting Scholars
    • Seminar Programme
  • Publications & Archive
    • Publications & Creative Outputs
    • Galleries
    • Video
    • Film
    • Podcast
  • News
    • Workshops
    • Conferences
    • Lectures
    • Special Meetings
    • Colloquia
    • Seminars
    • Arts Events
  • Contact
✕ When autocomplete results are available use up and down arrows to review and enter to go to the desired page. Touch device users, explore by touch or with swipe gestures.
            No results See all results

            CHR Fellows and Faculty Win at National Institute for the Humanities and Social Sciences Awards

            Kurt Campbell and Heidi Grunebaum

            The CHR congratulates Heidi Grunebaum, Kurt Campbell, Reza Khota, and Kitso Lelliot on winning a number of important awards at this year’s National Institute for the Humanities and Social Sciences Book, Creative Collection and Digital Contribution Awards ceremony.

            The event, held at the Market Theatre in Johannesburg, brought together numerous artists, curators, and academics to celebrate contributions to the humanities and social sciences by those based at South African institutions.

            Kitso Lelliot
            Kitso Lelliot
            Reza Khota
            Reza Khota
            Kurt Campbell and Heidi Grunebaum
            Kurt Campbell and Heidi Grunebaum

            Among the winners was Senior Researcher Heidi Grunebaum, doctoral Fellow and former Artist in Residence Reza Khota, and postdoctoral Fellow Kitso Lelliot.

            Grunebaum along with Kurt Campbell won Best Exhibition Catalogue for their work on the exhibition catalogue of Athlone in Mind, hosted in 2017 at the CHCI Humanities Improvised meeting at the Castle of Good Hope. Khota was recognised for his work on Insurrections III: The Storming through the awarding of Best Musical Composition/Arrangement. The award for Best Visual Art went to Kitso Lelliot’s Abénaa / Alzire / Dandara / Tsholofelo (working title), which is the representation of a classic work through combining history, arts and poetry.

            READ MORE
            Share
            0

            Related posts

            August 28, 2025

            Social Sciences Research Council Award Announcement: Ingrid Masondo and Tammy-Lee Lakay


            Read more
            August 25, 2025

            Tyranny, The Third Term


            Read more
            August 22, 2025

            Artists Forum: with Phokeng Setai


            Read more
            August 19, 2025

            ENGAGE/REFLECT/CREATE: The CHR-Encounters Documentary Series


            Read more

            Search

            ✕ When autocomplete results are available use up and down arrows to review and enter to go to the desired page. Touch device users, explore by touch or with swipe gestures.

            Sign Up to our newsletter


            Stay up to date with the latest news and developments from the Centre for Humanities Research.




            Recent Media

            • ENGAGE/REFLECT/CREATE: The CHR-Encounters Documentary Series
              August 19, 2025
            • Holding a Thought – The puppetry of Ukwanda
              July 18, 2025
            • The Herds
              April 9, 2025
            Centre for Humanities Research

            6 days ago

            Centre for Humanities Research
            Please join us for the next Humanities in Session Seminar, 'Tyranny: The Third Term." Date: Thurs 28 August 2025 Time: 1:00pm – 3:00pmVenue: The CHR’s Iyatsiba Lab For more info link on Bio... ... See MoreSee Less

            Photo

            View on Facebook
            · Share

            Share on Facebook Share on Twitter Share on Linked In Share by Email

            Centre for Humanities Research

            6 days ago

            Centre for Humanities Research
            Our fourth announcement of the Artist Forum is themed: Exhibition as MethodDate: Thurs 28th Aug 2025Time: 11:00 am - 13:00pmVenue: The CHR's Iyatsiba Lab,66 Greatmore Street, Woodstock (enter via Regent St)For more info link on Bio... ... See MoreSee Less

            Photo

            View on Facebook
            · Share

            Share on Facebook Share on Twitter Share on Linked In Share by Email

            Centre for Humanities Research

            1 week ago

            Centre for Humanities Research
            The Centre for Humanities Research (UWC) and the Encounters South African International Documentary Film Festival cordially invite you to the opening session of ENGAGE/REFLECT/CREATE: The CHR-Encounters Documentary Series, a monthly screening programme which will run from now until December 2025.The newly formed Proof of Life Trio, featuring CHR post-doctoral fellow Reza Khota on guitar, Asher Gamedze on drums and Sean Sanby on bass, will be improvising live to Charlie Chaplin’s 1936 silent film MODERN TIMES.The trio “attempts to bring together the composed idea that is at the same time endlessly malleable. Taking the phrase as a springboard into the unknown, or perhaps shared collective archive of grooves and affects. The only certainty is that every performance will be unrepeatable. The ensemble is also an offshoot of a collaboration between Khota and Gamedze in Free Music, Free Palestine. The name of the ensemble reflects on the imperative to improvise and think in the moment, as an antithesis to the new forms of techno-fascism, mechanisation and assimilation of the sensorium into the neoliberal order.” For more info link on bio : ... See MoreSee Less

            Photo

            View on Facebook
            · Share

            Share on Facebook Share on Twitter Share on Linked In Share by Email

            Centre for Humanities Research

            1 week ago

            Centre for Humanities Research
            Dear colleagues, fellows and friends,Please join us for the next Humanities in Session Seminar, and the book launch of Research and Activism: Ruth First & Activist Research, on Wednesday 3 September at the Iyatsiba Lab. This session will be led by Saleem Badat (co-editor of Research and Activism) who will be in conversation with Michael Weeder. For more information: www.chrflagship.uwc.ac.za/research-and-activisim-ruth-first-activist-research/ ... See MoreSee Less

            Photo

            View on Facebook
            · Share

            Share on Facebook Share on Twitter Share on Linked In Share by Email

            Centre for Humanities Research

            1 week ago

            Centre for Humanities Research
            Dear all,On Thursday 21 August, Maurits van Bever Donker will be in conversation (in person and online) with the University of Stellenbosch's Department of English about his monograph, Texturing Difference: “Black Consciousness Philosophy "and the “Script of Man”. Texturing Difference (2024), is available through Polity Press in the series Critical South with a Preface by Yala Kisukidi. It is located at the intersection of postcolonial and critical theory, literature and philosophy. In it, he situates the nuanced intervention of the Black Consciousness Movement in South Africa within the international conjuncture of anti-colonial thought and decolonisation. He makes the argument that the Black Consciousness Movement, in addition to its urgent political focus, should also be read as a philosophical intervention on the problem of Man that haunts the idea of race. ... See MoreSee Less

            Photo

            View on Facebook
            · Share

            Share on Facebook Share on Twitter Share on Linked In Share by Email

            Research Platforms

            • NRF SARChI Chair in Visual History and Theory
            • Andrew W. Mellon Chair of Aesthetic Theory and Material Performance
            • Factory of the Arts
            • Laboratory of Kinetic Objects
            • Seminar Programme
            • Publications

            Recently Added

            • Social Sciences Research Council Award Announcement: Ingrid Masondo and Tammy-Lee Lakay
              August 28, 2025
            • Tyranny, The Third Term
              August 25, 2025
            • Artists Forum: with Phokeng Setai
              August 22, 2025
            ✕ When autocomplete results are available use up and down arrows to review and enter to go to the desired page. Touch device users, explore by touch or with swipe gestures.

            SUBSCRIBE TO OUR NEWSLETTER


            Stay up to date with the latest news and developments from the Centre for Humanities Research.



            © 2025 UWC | The Centre for Humanities Research. All Rights Reserved. Designed By Spotkolours Design
                      No results See all results