READ MOREENGAGE/REFLECT/CREATE: Encounters Film Screenings, Master Class & Panel Discussion at the CHR.
The CHR and Encounters will be hosting a film screening and master class with Brendan Canty on Monday, 21 September 2026, followed by a film screening and panel discussion on Tuesday, 22 September 2026 as part of ENGAGE/REFLECT/CREATE: The CHR-Encounters monthly screening programme.READ MORESolo Showcase, Andile Yenana in Conversation with Valmont
The CHR and Jazz in the Native Yards will be hosting Andile Yenana for a Solo Showcase on Wednesday 23 September at Iyatsiba Lab.READ MOREExhibition Announcement: Home by Naoya Yoshikawa
The Iyatsiba Gallery Annexe at CHR is a participant venue for the city-wide Cape Town Photography Festival during September, hosting a solo exhibition by Naoya Yoshikawa.
The Artists Forum, convened at the Centre for Humanities Research, emerges out a longstanding conversation between artists and academics working in and through the CHR.
The CHR is pleased to announce the publication of a chapter by Kim Gurney in an edited volume about architecture and islands, Instituting Worlds. The book, edited by Catharina Gabrielsson and Marko Jobst, is published by Routledge.
The Faculty of Engineering, Built Environment, and Information Technology (FEBIT) under the tutelage of Prof. Wendy Setlalentoa, acting Deputy Vice-Chancellor Research Innovation and Engagement, recently kicked off its first workshop for the Research Centre on Human-Technology Interaction (CHTI).
We are proud to announce that Ukwanda Puppets and Design Arts Collective will be joining ‘The Herds' as they travel with life-sized animal puppets from Kinshasa to Norway.
The CHR is pleased to announce that applications for the 2026 African Critical Inquiry Programme (ACIP) workshop and Doctoral Research awards for 2025 are now open.
The Centre for Humanities Research at the University of the Western Cape and the Centre of Excellence for Black Planetary Studies, Institute for Social and Health Sciences, UNISA, invite you.
Erica Fretwell's Sensory Experiments: Psychophysics, Race, and the Aesthetics of Feeling (2020) raises crucial questions about the making of a concept of difference through marshaling the senses to the ends of a sensory order in postbellum United States.
This conversation between Erich Hörl and Premesh Lalu draws on their extended conversation on efforts to link discordant temporal and spatial encounters with the idea of the university and how, more importantly, to care for the future of its educational responsibilities.