READ MORETechnics and the Urban: UK-SA Chair in Culture and Technics annual workshop.
The UK-SA Chair in Culture & Technics, a bilateral programme between the British Academy and South Africa’s National Research Foundation, convenes an international study network that traces how the exercise of power relates to the co-evolution of the human and technology.READ MOREHumanities in Session: Indenture Aesthetics in South Africa with Jordache Ellapen
In this public conversation, Jordache Ellapen engages his newly published book, Indenture Aesthetics: Afro-Indian Femininities and the Queer Limits of South African Blackness.READ MOREEncounters Documentary Film Festival: Encounters Talks
We are delighted to once again collaborate with Encounters Documentary Film Festival, and will be hosting a series of Encounters Talks at Iyatsiba Lab on 5 and 6 June.
There is a double bind to writing about performance art, or live art as it is also called. Generally speaking, live art involves combinations of the body, time and space.
The CHR’s Valmont Layne will be giving a keynote at ‘The Klopse/Minstrel tradition as intangible heritage’, a seminar organised by the Salt River Heritage Society.
We are delighted to announce that the Centre for Humanities Research and the W. E. B. Du Bois Centre at the University of Massachusetts have recently signed a Memoranda of Understanding.
The African Critical Inquiry Programme is pleased to announce the 2026 Ivan Karp Doctoral Research Awards to support African doctoral students in the humanities and humanistic social sciences and invites proposals from scholars and/or practitioners in public cultural institutions in South Africa to organise a workshop to
take place in 2027. ACIP is a partnership between the Centre for Humanities Research at the University of the Western Cape and the Laney Graduate School of Emory University in Atlanta, Georgia (USA).
The Centre for Humanities Research at the University of the Western Cape adds its voice to many others who are deeply concerned about the cancellation of Gabrielle Goliath’s Elegy that was officially selected for the South African Pavilion at the Venice Biennale of 2026.
The African Critical Inquiry Programme (ACIP) is pleased to announce that the 2026 ACIP Workshop will be Revisiting and Reimagining “Imvo Zabantsundu”.
‘Every Artist Must Take Sides – Resonances of Eslanda and Paul Robeson’, launched on 14 November 2025 at the Akademie der Künste (ADK). It is a project by the Akademie der Künste in collaboration with the CHR, and the Haus für Poesie, Berlin.
The Centre for Humanities Research (UWC) and the Encounters South African International Documentary Film Festival cordially invite you to the final session of ENGAGE/REFLECT/CREATE: The CHR-Encounters Documentary Series, a monthly screening programme which will run until December 2025.
Lester Kiewit speaks to Premesh Lalu, a UWC research professor, on the lessons we can learn from the Trojan Horse Massacre in 1985, as well as the misconceptions about those at grassroots level fighting the apartheid machine with intellect and limited resources.