READ MOREJohannesburg as Imaginarium: Public Art and Placemaking in the City
On Wednesday, 11 March, the French Institute of South Africa (IFAS) and the Goethe-Institut Johannesburg will co-host a discussion titled Johannesburg as Imaginarium: Public Art and Placemaking in the City.READ MOREFRAMEWURX, by Scott-Eric Williams
FRAMEWURX (2025) is a limited edition zine created as a companion artefact for ‘Tales of History Retold’ (2025), a group exhibition co-curated by Kim Gurney and Carlyn Strydom at Iyatsiba Lab, University of the Western Cape, and is now available in digital form. READ MOREDonation: The Immense Regression - What is Called Caring? Volume 1.
The CHR would like to thank the publisher, K. Verlag, for their generous donation of Bernard Stiegler’s The Immense Regression - What is Called Caring? Vol. 1. to the CHR and fellows of the UK-SA Bilateral Digital Humanities Chair in Culture & Technics.
We are delighted to announce that SA/UK Digital Humanities PhD fellow, Siyanda Kobokana, has been selected for the inaugural Paris Doctoral Research Residency at IFAS–Fondation Fiminco–ArTeC.
My history of madness in the Belgian Congo will rely on tracking transactional, micro, and urgent documents as gestures. These promise to open “spheres of ethos,” with human riddles, forms of upheaval, and violence (Agamben 1992).
Contemporary Black female artists have reclaimed the everyday labor and domestic motions women have historically performed, as artistic gestures in their own right. For example, the ceramic and bronze sculptures of the African-American artist Simone Leigh have referenced vernacular processes like washing chores and needlework.
In April 1964, the Irish Anti-Apartheid Movement (IAAM) was launched in Dublin by Kader Asmal, a South-African professor of law in Trinity College. Lobbying for improved human rights and liberation in South Africa, the Movement raised awareness of the racism experienced by communities and campaigned for the release of political prisoners.
We are delighted to announce that Undoing Apartheid by Premesh Lalu has been translated into Turkish and published by Afrika Vakfi Yayinevi. See below for more information about Undoing Apartheid and its Turkish translation, Apartheid’ı Ortadan Kaldırmak.
Join us for a screening of Dublin Short a short documentary capturing the magic of the Little Museum of Dublin's famous guided tour. The screening will be followed by a Q&A with Dr Daryl Hendley Rooney, deputy curator at the Little Museum and visiting researcher on the Charlotte Maxeke-Mary Robinson Research Chair.
The Artists Forum, convened at the Centre for Humanities Research, emerges out a longstanding conversation between artists and academics working in and through the CHR.
Lauren van der Rede is currently a Lecturer in the Department of English at Stellenbosch University, South Africa, and is the PI of the Perforated Memory research project.
The New Archival Visions (NAV) programme at the Centre for Humanities Research (CHR), University of the Western Cape (UWC), is offering fellowships for the remainder of 2025. Funding support comes from the Department of Higher Education and Training (DHET).
The Centre for Humanities Research (UWC) and the Encounters South African International Documentary Film Festival cordially invite you to the second session of ENGAGE/REFLECT/CREATE: The CHR-Encounters Documentary Series, a monthly screening programme which will run until December 2025.