READ MOREBook Launch: A Will for the Machine: Computerization, Automation, and the Arts in South Africa, by Mark Sanders.
A Conversation in the Humanities in Session Series at the Centre for Humanities Research, part of the Advanced Research Seminar.READ MORE‘Queerness, Blackness and the Postcolony’ with Lwando Scott
A Conversation in the Humanities in Session Series at the Centre for Humanities Research, part of the Advanced Research Seminar.
READ MOREExhibition opening: Facts and Fabulations
Facts and Fabulations, an exhibition of the New Archival Visions Programme at the CHR’s Iyatsiba Lab will open on 9 April, 2026. The opening will be preceded by a short talk by the curator Marcos Martins and the assistant curator Katlego Tiisetso Nkoana.
‘Something like an archive - Exploring memory through zine-making’ is a one day public workshop at Iyatsiba Lab facilitated by visual artist and educator, Scott Eric Williams.
For this exhibition, eight artists were invited to select artefacts from the document archive of the Association for Visual Arts (AVA), a not-for-profit gallery and collective in Cape Town, as source material for an artistic response.
The Artists Forum, convened at the Centre for Humanities Research, emerges out a longstanding conversation between artists and academics working in and through the CHR. The Forum’s objective has been to connect scholarly exploration with the CHR’s Artist in Residency programme, and to bring artists and humanistic study into a more intimate adjacency.
The Polyrhythmic Ensemble was formed in 2023 with the aim of creating new works based around research into contrapuntal and polyrhythmic African music.
The UK-SA Chair in Digital Humanities, held by Prof. Premesh Lalu, is welcoming international scholars to Cape Town in November to attend a three-day roundtable at Iyatsiba Lab in Woodstock.
We are delighted to announce that SA/UK Digital Humanities PhD fellow, Siyanda Kobokana, has been selected for the inaugural Paris Doctoral Research Residency at IFAS–Fondation Fiminco–ArTeC.
My history of madness in the Belgian Congo will rely on tracking transactional, micro, and urgent documents as gestures. These promise to open “spheres of ethos,” with human riddles, forms of upheaval, and violence (Agamben 1992).
Contemporary Black female artists have reclaimed the everyday labor and domestic motions women have historically performed, as artistic gestures in their own right. For example, the ceramic and bronze sculptures of the African-American artist Simone Leigh have referenced vernacular processes like washing chores and needlework.
In April 1964, the Irish Anti-Apartheid Movement (IAAM) was launched in Dublin by Kader Asmal, a South-African professor of law in Trinity College. Lobbying for improved human rights and liberation in South Africa, the Movement raised awareness of the racism experienced by communities and campaigned for the release of political prisoners.
We are delighted to announce that Undoing Apartheid by Premesh Lalu has been translated into Turkish and published by Afrika Vakfi Yayinevi. See below for more information about Undoing Apartheid and its Turkish translation, Apartheid’ı Ortadan Kaldırmak.