chr 500-0bCHR Dark Textchr 500-0bchr 500-0b
  • About
    • Centre for Humanities Research
    • DSI-NRF Flagship
    • Partnerships
    • Funders
    • Reports
    • Staff
  • Iyatsiba Lab
    • LoKO
    • Sound Working Group
    • Documentary film
  • New Archival Visions
  • Research Platforms
    • Aesthetics and Politics
      • Factory of the Arts
        • About the Factory of the Arts
        • Convening the Factory of the Arts
        • Artists in Residence
      • Research Projects
    • Becoming Technical of the Human
      • Laboratory of Kinetic Objects
      • Research Projects
    • Migrating Violence
      • Research Projects
        • Political Theory and Philosophy
        • Trans-formative Consitutionalism
  • Research Chairs
    • NRF SARChI Chair in Visual History and Theory
      • Postgraduate bursaries and postdoctoral fellowships in Visual History & Theory
      • Postgraduate Module In Visual History, 2023 (HIS 735/835)
    • Charlotte Maxeke-Mary Robinson Research Chair
    • UK-SA Bilateral Digital humanities chair in culture and technics
  • Fellowship Programme
    • Fellows
    • Winter School
    • Visiting Scholars
    • Seminar Programme
  • Publications & Archive
    • Publications & Creative Outputs
    • Galleries
    • Video
    • Film
    • Podcast
  • News
    • Workshops
    • Conferences
    • Lectures
    • Special Meetings
    • Colloquia
    • Seminars
    • Arts Events
  • Contact
✕ When autocomplete results are available use up and down arrows to review and enter to go to the desired page. Touch device users, explore by touch or with swipe gestures.
            No results See all results

            2020 African Critical Inquiry Workshop: Rethinking Resilience

            Ruth Sacks
            Janeke Thumbran
            The African Critical Inquiry Programme (ACIP) is pleased to announce that the 2020 ACIP workshop will be Rethinking Resilience. The project was proposed by organizers Janeke Thumbran (History, Rhodes University) and Ruth Sacks (Postdoctoral Researcher, SARChI Chair for Social Change, University of Fort Hare). It will take place in Makhanda (Grahamstown), South Africa in March 2020.

            Rethinking Resilience


            This three-day workshop brings together early career scholars and visual artists to engage with the concept of resilience and its co-option by neoliberal governance. The concept of “resilence” has a long history in psychology, but in the past decade or so it has become a pervasive buzzword in humanitarian and development circles, as well as in politics and governance, business, education, and more. We will examine problematic prevailing narratives that expect previously disenfranchised citizens to cultivate forms of self-reliance and informal networks in the face of collapsing infrastructure. The workshop also thinks with resilience as the manifestation of pervasive political and material remains from the past that shape everyday life. We reconsider historical systems that emphasize inherited societal inequalities and how they have been repurposed out of necessity.

            Our focus on the afterlife of the infrastructural constructions of former regimes (including institutional policies, architecture, and industrialization) will allow for discussions on the politics of materiality and its affective influence on social relationships and structures. The multi-disciplinary forum (including history, fine art, anthropology, maritime archeology, and agricultural science) will include participants who work with creative practice research to help expand critical humanities methodologies and work across disciplinary barriers. In imagining the critical public culture we wish to build, we seek ways to challenge the capitalist structures that co-opt academic and artistic practice into neoliberal narratives. We will explore interpretations and manifestations of resilience as a way to develop new spaces for interaction through publications and future events that are accessible to a wider audience. Pointedly starting from the particular situation of a destabilized Eastern Cape environment, we will consider ways to grow a group of researchers concerned with how we operate as academic citizens and lecturers.

            Founded in 2012, the African Critical Inquiry Programme (ACIP) is a partnership between the Centre for Humanities Research at University of the Western Cape in Cape Town and the Laney Graduate School of Emory University in Atlanta. Supported by donations to the Ivan Karp and Corinne Kratz Fund, the ACIP fosters thinking and working across public cultural institutions, across disciplines and fields, and across generations. It seeks to advance inquiry and debate about the roles and practice of public culture, public cultural institutions and public scholarship in shaping identities and society in Africa through an annual ACIP workshop and through the Ivan Karp Doctoral Research Awards, which support African doctoral students in the humanities and humanistic social sciences enrolled at South African universities.


            Information about applying to organize the 2021 ACIP workshop and for the 2020 Ivan Karp Doctoral Research Awards will be available in November 2019. The deadline for both workshop applications and student applications is 1 May 2020.


            For further information:

            http://www.gs.emory.edu/about/special/acip.html

            and

            https://www.facebook.com/ivan.karp.corinne.kratz.fund.

            Share
            0

            Related posts

            May 7, 2025

            African Studies Annual Lecture 2025: ‘The Becoming Technical of the Human: Race After Apartheid’, Premesh Lalu


            Read more
            April 30, 2025

            ‘Slave Heritage & Cape Music’, with Valmont Layne.


            Read more
            April 23, 2025

            CUT faculty hosts the inaugural Research Centre on Human Technology interaction workshop to reimagine knowledge in a technological age


            Read more
            April 23, 2025

            Africa, Philosophy and the Image


            Read more

            Research Platforms

            • NRF SARChI Chair in Visual History and Theory
            • Andrew W. Mellon Chair of Aesthetic Theory and Material Performance
            • Factory of the Arts
            • Laboratory of Kinetic Objects
            • Seminar Programme
            • Publications

            Recently Added

            • African Studies Annual Lecture 2025: ‘The Becoming Technical of the Human: Race After Apartheid’, Premesh Lalu
              May 7, 2025
            • ‘Slave Heritage & Cape Music’, with Valmont Layne.
              April 30, 2025
            • CUT faculty hosts the inaugural Research Centre on Human Technology interaction workshop to reimagine knowledge in a technological age
              April 23, 2025
            ✕ When autocomplete results are available use up and down arrows to review and enter to go to the desired page. Touch device users, explore by touch or with swipe gestures.

            SUBSCRIBE TO OUR NEWSLETTER


            Stay up to date with the latest news and developments from the Centre for Humanities Research.



            © 2025 UWC | The Centre for Humanities Research. All Rights Reserved. Designed By Spotkolours Design
                        No results See all results