chr 500-0bCHR Dark Textchr 500-0bchr 500-0b
  • About
    • Centre for Humanities Research
    • DSI-NRF Flagship
    • Partnerships
    • Funders
    • Reports
    • Staff
  • Iyatsiba Lab
    • LoKO
    • Sound Working Group
    • Documentary film
  • New Archival Visions
  • Research Platforms
    • Aesthetics and Politics
      • Factory of the Arts
        • About the Factory of the Arts
        • Convening the Factory of the Arts
        • Artists in Residence
      • Research Projects
    • Becoming Technical of the Human
      • Laboratory of Kinetic Objects
      • Research Projects
    • New Ecologies of the Subject
  • Research Chairs
    • NRF SARChI Chair in Visual History and Theory
      • Postgraduate bursaries and postdoctoral fellowships in Visual History & Theory
      • Postgraduate Module In Visual History, 2023 (HIS 735/835)
    • Charlotte Maxeke-Mary Robinson Research Chair
    • UK-SA Bilateral Digital humanities chair in culture and technics
  • Fellowship Programme
    • Fellows
    • Winter School
    • Visiting Scholars
    • Seminar Programme
  • Publications & Archive
    • Publications & Creative Outputs
    • Galleries
    • Video
    • Film
    • Podcast
  • News
    • Workshops
    • Conferences
    • Lectures
    • Special Meetings
    • Colloquia
    • Seminars
    • Arts Events
  • Contact
✕ When autocomplete results are available use up and down arrows to review and enter to go to the desired page. Touch device users, explore by touch or with swipe gestures.
No results See all results

Hemispheric Headspace workshop

To explore the concept of partition in the context of AI and the humanities, and with an eye towards potential cross-national collaboration on developing research and curriculum, Dr Valmont Layne co-hosted two workshops with Professor Jennifer Keating, Teaching Writing in the Disciplines Specialist at the William S. Dietrich II Institute for Writing Excellence, University of Pittsburgh. The session was made possible through a small grant from Pitt Cyber.

Hemispheric Headspace: Interrogation and Exploration of the Influence of AI and the Digital Sphere on Real Life, Work, Education and Political Realities in the Global South and the Global North is a project that brings together CHR faculty at UWC and faculty at the University of Pittsburg in Computer Science, English, Information Science, Law, Composition, Post-Colonial Studies, Ethnomusicology, Archival Studies, History of Art & Architecture, Robotics and Library and Information Sciences to explore the implications of current and recent developments in AI and digital tools that increasingly shape our lived experiences.  In this set of workshops we will discuss current and past definitions and descriptions of personhood regarding digital versus machine age concerns pertaining to defining the human and the influence of capital on dehumanizing labor forces across regions and histories; generative language and the authenticity of utterance in the global north and the global south; legislation and regulation in developing AI, in colonial and neo-colonial histories in the global north and the global south.

The CHR at the University of Western Cape has been studying these trends through the three “minor arts”- film, sound, and kinetic objects. This includes cultural criticism to address the power shifts and political negotiations in the region’s history. As South Africa emerges from apartheid with a developing democracy and robust participation in global economic trade questions and sensitivities pertaining to the influence of digital advancement are particularly prescient.  Advancing technologies influence the evolution of democratic processes the world over, creating new challenges in each system but if we can learn from one another, across hemispheric divides, we as faculty can identify practical and actionable areas for potential collaboration across our institutions in Cape Town and Pittsburgh to pursue new projects and identify grants to support this work.

Hemispheric Headspace

We asked colleagues to respond to short provocations. During Session I on May 13th, we discussed the theme of partition – focusing on the separation between our daily lives and digital realities. What might partition mean in rapidly-developing AI systems? Where does our work live in this emerging reality where the digital and the algorithmic intertwines with features of the tactile, the analogue, where the integration of AI tools into features of everyday work and home are sometimes obvious in their division but are oftentimes indecipherably connected? What does digital fluency look like in this evolving ecosystem for educators? What does your research consider regarding notions of partition or integration amid this emergent hybrid context?

In **Session II on May 16th,** we considered the complexity of our relationships to data – personal data, public data and the particular concerns that emerge in relation to archival holdings in the age of AI.  With initial comments from speakers in Pittsburgh and Cape Town, we will specifically consider the following questions and concerns:

Amidst datafication and the proliferation of AI, how has the role of archivists and information stewards shifted? What concerns pertaining to ownership and use arise in the digitization of archival materials or in the collection of datasets?  What are the implications of AI systems like LLMs that can ‘scrape’ data?  How does the age of social media color or influence how we consider what data or personal archival material is public versus private?  And how might these technological developments and methodological concerns facing archivists raise further ethical questions pertaining to ownership of personal data, persistence in intended or unintended discrimination in valuation and preservation of archival materials as data, and the role of systemic oppression or silencing that can be compounded at scale in our digital age?

Share
0

Related posts

Barrydale 2025: Steek my Weg Poster

Barrydale 2025: Steek my Weg


Read more

Artwork: Sonya Clark, We Are, 2023.

Exhibition Announcement: Every Artist Must Take Sides – Resonances of Eslanda and Paul Robeson


Read more

Film Screening: MILISUTHANDO


Read more

Good Morning Cape Town with Lester Kiewet: Remembering the Trojan Horse Massacre


Read more

Search

✕ When autocomplete results are available use up and down arrows to review and enter to go to the desired page. Touch device users, explore by touch or with swipe gestures.

Sign Up to our newsletter


Stay up to date with the latest news and developments from the Centre for Humanities Research.




Recent Media

  • ENGAGE/REFLECT/CREATE: The CHR-Encounters Documentary Series
    August 19, 2025
  • Exhibition opening: And I, a newly evolved fish.
    July 25, 2025
  • Holding a Thought – The puppetry of Ukwanda
    July 18, 2025
Centre for Humanities Research

1 week ago

Centre for Humanities Research
Exhibition, 'Every Artist Must Take Sides – Resonances of Eslanda and Paul Robeson' at the Akademie Der Kunste, Berlin in cooperation with the Centre for Humanities Research, 14 November 2025 to 25 January 2026.‘Every Artist Must Take Sides – Resonances of Eslanda and Paul Robeson’, launched on 14 November 2025 at the Akademie der Künste (ADK). The Paul Robeson Archive was founded 60 years ago at the former Akademie der Künste (East) in Berlin. The extensive collection provides an insight into the life and work of Paul Robeson – African-American singer, actor, lawyer and activist – and that of the author, anthropologist, UN correspondent, artist manager and political intellectual Eslanda Goode Robeson. The couple linked the anti-racist struggle in the USA with anti-colonial movements in Africa, Asia and the Caribbean, international workers’ struggles in the spirit of socialist internationalism, and anti-fascist freedom struggles in Europe – such as the Spanish Civil War. The title of the exhibition refers to the latter: a quote from Paul Robeson’s speech at the Royal Albert Hall in 1937 in solidarity with the International Brigades, in which he called for a clear stance against fascism.The artistic works focus on the actualisation of these resistant and relational practices, the role of voice, sound and body, and the questioning of geopolitical constellations between anti-colonial liberation movements and the Cold War. The ideas of international solidarity and universal humanity negotiated therein form the thematic space of resonance in which contemporary artistic works enter into dialogue with the archival materials.With artworks by James Gregory AtkinsonLeila BencharniaSonya ClarkLia Dostlieva & Andrei DostlievaAngela FerreiraMasimba HwatiPatricia kaersenhoutAriel William OrahKirsten ReeseMatana RobertsDread ScottKatharina WardaPhotograph of Sonya Clarke's multimedia installation, We Are (2023) with James Gregory Atkinson's Sohn/Brudet/Vater/Liebhaber/Freund (2023) ... See MoreSee Less

Photo

View on Facebook
· Share

Share on Facebook Share on Twitter Share on Linked In Share by Email

Centre for Humanities Research

1 week ago

Centre for Humanities Research
The CHR and Encounters invite you to a film screening of Milisuthando, on Friday 28 November, as part of ENGAGE/REFLECT/CREATE: The CHR-Encounters monthly screening programme.Date: Friday 28 NovemberVenue: Iyatsiba Lab, 66 Greatmore St, WoodstockTime: 6:00pmSpeakers: Bongani Kona (UWC) and Hankyeol Lee (Editor and sound Design)The event is free but RSVP is essential: centreforhumanitiesresearch@uwc.ac.zaFor more information: ... See MoreSee Less

Film Screening: MILISUTHANDO - The Centre for Humanities Research

www.chrflagship.uwc.ac.za

The Centre for Humanities Research (UWC) and the Encounters South African International Documentary Film Festival cordially invite you to the final session of ENGAGE/REFLECT/CREATE: The CHR-Encounters...
View on Facebook
· Share

Share on Facebook Share on Twitter Share on Linked In Share by Email

Centre for Humanities Research

2 weeks ago

Centre for Humanities Research
Women and Gender Studies Department Anniversary Events: 24 and 25 November, at Iyatsiba LabThe Women and Gender Studies Department, in partnership with the Human Rights Festival, Invites you to two events which mark the Department's 30th Anniversary. Both will take place at Iyatsiba Lab on 24 and 25 November Respectively.Please see attached for more details. RSVP: cdaweti@uwc.ac.za ... See MoreSee Less

Photo

View on Facebook
· Share

Share on Facebook Share on Twitter Share on Linked In Share by Email

Centre for Humanities Research

3 weeks ago

Centre for Humanities Research
Please join us for a guided walkabout by the curators of Tales of History Retold, currently showing at Iyatsiba Gallery until 28 November. Kim Gurney and Carlyn Strydom, the co-curators, will take visitors on a one-hour walkthrough, providing some context to the exhibition and exhibited works. Some of the participating artists will also be present. The first 20 visitors will receive a bespoke zine created for this exhibition project by Scott Eric Williams, in a limited edition, which riffs of the works and the process behind their making.Date: Saturday 15 November 2025Time: 11h00Venue: Iyatsiba Lab, 66 Greatmore Street, Woodstock (entrance on Regent St). Secure parking available.For more info: www.chrflagship.uwc.ac.za/exhibition-opening-tales-of-history-retold/ ... See MoreSee Less

Photo

View on Facebook
· Share

Share on Facebook Share on Twitter Share on Linked In Share by Email

Centre for Humanities Research

4 weeks ago

Centre for Humanities Research
Last night, 'Tales of History Retold' launched at Iyatsiba Lab. Curated by Kim Gurney and Carlyn Strydom, this exhibition invited 8 artists to select artefacts from the document archive of the AVA, as source material for an artistic response. It will be running until 28 November. See the link on bio for more details: ... See MoreSee Less

Photo

View on Facebook
· Share

Share on Facebook Share on Twitter Share on Linked In Share by Email

Research Platforms

  • NRF SARChI Chair in Visual History and Theory
  • Andrew W. Mellon Chair of Aesthetic Theory and Material Performance
  • Factory of the Arts
  • Laboratory of Kinetic Objects
  • Seminar Programme
  • Publications

Recently Added

  • Barrydale 2025: Steek my Weg
    December 2, 2025
  • Exhibition Announcement: Every Artist Must Take Sides – Resonances of Eslanda and Paul Robeson
    November 25, 2025
  • Film Screening: MILISUTHANDO
    November 21, 2025
✕ When autocomplete results are available use up and down arrows to review and enter to go to the desired page. Touch device users, explore by touch or with swipe gestures.

SUBSCRIBE TO OUR NEWSLETTER


Stay up to date with the latest news and developments from the Centre for Humanities Research.



© 2025 UWC | The Centre for Humanities Research. All Rights Reserved. Designed By Spotkolours Design
No results See all results