READ MOREAn Archive and Forms of Sight: Gestures of Madness
My history of madness in the Belgian Congo will rely on tracking transactional, micro, and urgent documents as gestures. These promise to open “spheres of ethos,” with human riddles, forms of upheaval, and violence (Agamben 1992). READ MOREIn Black Women’s Hands: A History of Gestures in Photography and Textile
Contemporary Black female artists have reclaimed the everyday labor and domestic motions women have historically performed, as artistic gestures in their own right. For example, the ceramic and bronze sculptures of the African-American artist Simone Leigh have referenced vernacular processes like washing chores and needlework. READ MORETogether Apart The Irish Anti-Apartheid Movement
In April 1964, the Irish Anti-Apartheid Movement (IAAM) was launched in Dublin by Kader Asmal, a South-African professor of law in Trinity College. Lobbying for improved human rights and liberation in South Africa, the Movement raised awareness of the racism experienced by communities and campaigned for the release of political prisoners.
On Thursday 31 October, the CHR will be hosting a conversation on biographies between Margaret Kelleher (University College Dublin) and Ciraj Rassool (UWC) under the auspices of the Charlotte Maxeke-Mary Robinson Research Chair (CMMR).
The CHR’s Documentary Film Programme, European Film Festival, and the Charlotte Maxeke-Mary Robinson Research Chair, will be co-hosting a screening of The Quiet Girl, byColm Bairéad, on Tuesday 15 October at the CHR’s Iyatsiba Lab.
On Tuesday 24 September 2024, the CHR took part in the Boschendal Heritage Day festivities, which involved puppet making workshops with school learners, and a giant puppet parade through Boschendal farm.