READ MOREHumanities in Session, Archive Lab: Immersive Technologies and the Archive
The advancement of immersive technologies is fast shaping archival practice. What does this new yet old complexity of design, history, technology and mixed realities mean for the future of storytelling, research and education?READ MOREHumanities in Sesssion, Artists' Forum with Tshegofatso Moeng
This session will be led by Tshegofatso Moeng who is a versatile South African singer, arranger, composer, and music director.READ MOREHumanities in Sesssion: ‘Returning Transitions: Memories of Persistent Crises in South African and Russian Writing’, with Ksenia Robbe
In this seminar, Ksenia Robbe present the key questions and theoretical propositions concerning the possibility of reading comparatively and connectively memories of the post-apartheid and post-Soviet ‘transitions’ in contemporary South African and Russian writing.
Professor Patricia Hayes of the CHR will be in conversation with Professor Tamar Garb of UCL about Ambivalent: Photography and Visibility in African History
Nsima Udo, CHR Doctoral Fellow with the SARChI Chair in Visual History and Theory wins prestigious Africa Thesis Award from the African Studies Centre of the University of Leiden in The Netherlands.
The Visual History research platform is convened by the DSI/NRF SARChI Chair in Visual History & Theory (UID 98911) and hosts a number of postgraduate student bursaries and postdoctoral fellowships.