chr 500-0bCHR Dark Textchr 500-0bchr 500-0b
  • About
    • Centre for Humanities Research
    • DSI-NRF Flagship
    • Partnerships
    • Funders
    • Reports
    • Staff
  • Iyatsiba Lab
    • LoKO
    • Sound Working Group
    • Documentary film
  • New Archival Visions
  • Research Platforms
    • Aesthetics and Politics
      • Factory of the Arts
        • About the Factory of the Arts
        • Convening the Factory of the Arts
        • Artists in Residence
      • Research Projects
    • Becoming Technical of the Human
      • Laboratory of Kinetic Objects
      • Research Projects
    • Migrating Violence
      • Research Projects
        • Political Theory and Philosophy
        • Trans-formative Consitutionalism
  • Research Chairs
    • NRF SARChI Chair in Visual History and Theory
      • Postgraduate bursaries and postdoctoral fellowships in Visual History & Theory
      • Postgraduate Module In Visual History, 2023 (HIS 735/835)
    • Charlotte Maxeke-Mary Robinson Research Chair
    • UK-SA Bilateral Digital humanities chair in culture and technics
  • Fellowship Programme
    • Fellows
    • Winter School
    • Visiting Scholars
    • Seminar Programme
  • Publications & Archive
    • Publications & Creative Outputs
    • Galleries
    • Video
    • Film
    • Podcast
  • News
    • Workshops
    • Conferences
    • Lectures
    • Special Meetings
    • Colloquia
    • Seminars
    • Arts Events
  • Contact
✕ When autocomplete results are available use up and down arrows to review and enter to go to the desired page. Touch device users, explore by touch or with swipe gestures.
            No results See all results

            Zyma Amien

            Zyma Amien is an artist whose work will be exhibited as part of the ‘Athlone in Mind’ exhibition at the Castle of Good Hope, Cape Town, from 10-13 August 2017. This upcoming exhibition of commissioned contemporary art is a group show curated by Dr Kurt Campbell. The exhibition, book and digital platform take the place of Athlone to explore new ways of imagining and thinking about marginalised sites of creativity and arts production. ‘Athlone in Mind’ engages diverse artistic practices, cinematic experiments and scholarly essays that explore the challenge to artistic practice for imagining space in ways that exceed and undo apartheid’s spatial formations and temporal markers.

            The artworks, videos, digital and photographic installations and essays in the book constitute Athlone as a question through an expansive, fluid and composite conception of the relationship between images, thought and place.

            Zyma Amien, born in 1962, is a South African artist based in Cape Town working in the field of conceptual art turning her lens on socio-political issues. In 2015, she completed her MFA Fine Art (Cum Laude) at University of Cape Town. She completed her Bachelors of Fine Art at the University of South Africa in 2013 receiving the top prize in the country. She was awarded the PPC cement concrete sculptor award in 2012. During 2016 she participated in multiple exhibitions ranging from the Netherlands (Uncover the City), to Sasol Art Museum in Stellenbosch (100 geographies) and Iziko National gallery in Cape Town. She participated in the Ekurhuleni competition and won Sasol New Signatures. Currently, she is participating the Nirox Sculpture Fair, preparing for an exhibition called, Athlone ‘in’ Mind, as well as working towards the solo exhibition for Sasol. Presently, she is lecturer at the University of South Africa.

            Zyma Amien will explore vacated parts of Athlone by using suspended sculptures that rethink the dynamics of space. She works with ordinary objects in extraordinary ways. Her sculptural practice includes installation art, cement casting and large-scale garment constructions.
            Read more about Amien and her work here:

            Read More Here

            Share
            0

            Related posts

            May 20, 2025

            Publication: Instituting Worlds


            Read more
            May 16, 2025

            Tectonic: TOMBWA – A solo performance by Victor Gama


            Read more
            May 7, 2025

            African Studies Annual Lecture 2025: ‘The Becoming Technical of the Human: Race After Apartheid’, Premesh Lalu


            Read more
            April 30, 2025

            ‘Slave Heritage & Cape Music’, with Valmont Layne.


            Read more

            Research Platforms

            • NRF SARChI Chair in Visual History and Theory
            • Andrew W. Mellon Chair of Aesthetic Theory and Material Performance
            • Factory of the Arts
            • Laboratory of Kinetic Objects
            • Seminar Programme
            • Publications

            Recently Added

            • Publication: Instituting Worlds
              May 20, 2025
            • Tectonic: TOMBWA – A solo performance by Victor Gama
              May 16, 2025
            • African Studies Annual Lecture 2025: ‘The Becoming Technical of the Human: Race After Apartheid’, Premesh Lalu
              May 7, 2025
            ✕ When autocomplete results are available use up and down arrows to review and enter to go to the desired page. Touch device users, explore by touch or with swipe gestures.

            SUBSCRIBE TO OUR NEWSLETTER


            Stay up to date with the latest news and developments from the Centre for Humanities Research.



            © 2025 UWC | The Centre for Humanities Research. All Rights Reserved. Designed By Spotkolours Design
                        No results See all results