Public Screening: I Am Not Your Negro - The Centre for Humanities Research

Home
About
Research Platforms
Greatmore
Fellowship Programme
Media
- Video
- Podcast
- Galleries
- Film
Events
News
Contact

✕

Public Screening: I Am Not Your Negro

Sep 15, 2017

Categories

News

Tags

News

The CHR will be hosting a public screening of Raoul Peck’s I Am Not Your Negro, based on James Baldwin’s unpublished Remember This House.

Date: 27 September 2017
Time: 1PM
Venue: School of Public Health – Room 1A and 1B

Watch the trailer here:

Share

Recent News

Jun 22, 2022

Beyond Nostalgia: Reimagining Post-Apartheid Freedom

Jun 22, 2022

Eduardo Mondlane: social scientist, cosmopolitan and nationalist

jackï job

Jun 22, 2022

Re-Imagining Race through Daai za Lady & Butoh

Still from Garfield Park, USA

Jun 14, 2022

In Conversation with Domietta Torlasco

Search

✕

Sign Up to our newsletter

Stay up to date with the latest news and developments from the Centre for Humanities Research.

Email address:

Leave this field empty if you're human:

Recent Media

Book Launch: Love And Revolution in the Twentieth-Century Colonial and Postcolonial World
May 16, 2022
Kerala Council for Historical Research Launches Love and Revolution
Mar 10, 2022
Public Lecture: Brian Friel’s Making History and Colonial Ireland
Mar 7, 2022
In the Press: Buhle Ngaba on CHR Charlotte Maxeke Production
Feb 23, 2022
Spotlight on Documentary
Feb 8, 2022

Centre for Humanities Research

2 weeks ago

Founding CHR director and filmmaker Premesh Lalu will be in conversation with Rashid Lombard, Jayson King, Sylvia Mndunyelwa and Dinga Sikwebu about his new film The Double Futures of Athlone at the Encounters South African Documentary International Film Festival. The panel will be moderated by Valmont Layne.The panel is inspired by Premesh Lalu’s enriching new film The Double Futures of Athlone, which will be premiered at the Encounter’s documentary film festival. In the aftermath of grand apartheid’s forced removals, a form of cultural politics burgeoned around the cinemas of Athlone on the Cape Flats. Often targeted by pernicious strategies of petty apartheid, the cinema, or bioscopes, nevertheless became spaces for reimagining community. Spaces such as the Kismet Cinema opened vistas of freedom and created a platform for building a non-racial future, inspired by film and music. How do we account for this cultural politics that once offered a glimpse of post-apartheid freedom in the very midst of apartheid’s dread? What was the significance of the bioscope in building community? And what future might we envisage for such cultural politics on the Cape Flats in the wake of apartheid?bit.ly/beyondnostalgia ... See MoreSee Less

View on Facebook

· Share

Share on Facebook Share on Twitter Share on Linked In Share by Email

Centre for Humanities Research

2 weeks ago

Join the CHR in partnership with Encounters Film Festival for an online panel discussion, "Beyond Nostalgia: Reimagining Postapartheid Freedom" based on Premesh Lalu's documentary film, Athlone's Double Futures. Featuring a fantastic line up of speakers: Sylvia Mndunyelwa, Rashid Lombard, Premesh Lalu, Dinga Sikwebu and JJ King, moderated by Valmont Layne. The panel is on Monday 27 June from 3pm to 4pm. Register at the link:us06web.zoom.us/webinar/register/WN__G8FtbaLSQamh8bLRR5rwwThe panel follows the sold out premier of Athlone's Double Futures at Encounters Film Festival.This cultural history of Athlone, one of Apartheid’s ‘dumping grounds’ for the victims of forced removals, is something of a delight, providing an intimate snapshot of a bygone era that continues to live in the hearts and imaginations of many of the town’s residents. At the film’s centre is the Kismet theatre, which once acted as both the local bioscope and as a performance venue for the rich musical talent of the time. Making engaging use of contemporary interviews and historical anecdotes, the film manages to sidestep sentimentality and nostalgia in favour of an emotional realism. It also explores the ways in which film was used as an instrument of control by the Apartheid government, while providing a window into a time when cinema was far more widely accessible than it is today, a time before ticket prices skyrocketed and South Africa’s cinemas nearly all moved into malls and shopping centres. A delicate account of, in the film’s own words, “what’s left of the memory of the future?” ... See MoreSee Less

View on Facebook

· Share

Share on Facebook Share on Twitter Share on Linked In Share by Email

Centre for Humanities Research

2 weeks ago

The CHR is delighted is announce CHR doctoral fellow, Zuko Wonderfull Sikhafungana, will be staging his production The Crime Scene at the National Arts Festival this year.From the National Arts Festival:“This production breaks the silence of family dysfunction through storytelling. This piece explores the psychological cycle that comes with absent fathers, most especially how it results in hatred and anger. The show unfolds through the eyes of one young man.”bit.ly/zuko-crime-scene ... See MoreSee Less

View on Facebook

· Share

Share on Facebook Share on Twitter Share on Linked In Share by Email

Centre for Humanities Research

2 weeks ago

The CHR is pleased to announce the honouring of the achievements of Basil Jones and Adrian Kohler, founders of Handspring Puppet Company, who will receive honorary doctorates from the University of Toronto, the Jackman Humanities Institute, in June 2022.Handspring Puppet Company was founded in 1981 and has grown under the leadership of Artistic Director Adrian Kohler and Executive Producer Basil Jones for 30 years. In 2020, they came out of retirement to help create and build Little Amal, a giant puppet that walked from Syria to London through over 70 cities, towns and villages across Europe to draw attention to the experience of refugee children. The JHI has partnered extensively with Handspring through the Mellon-funded research project, Aesthetic Education: A South-North Dialogue. ... See MoreSee Less

View on Facebook

· Share

Share on Facebook Share on Twitter Share on Linked In Share by Email

Centre for Humanities Research

2 weeks ago

The CHR is delighted to announce critical theorist and filmmaker Domietta Torlasco will be in conversation with the documentary film class about her new film Garfield Park, USA.Find out more: buff.ly/3xPXvY9 ... See MoreSee Less

View on Facebook

· Share

Share on Facebook Share on Twitter Share on Linked In Share by Email

Research Platforms

NRF SARChI Chair in Visual History and Theory
Andrew W. Mellon Chair of Aesthetic Theory and Material Performance
Factory of the Arts
Laboratory of Kinetic Objects
Seminar Programme
Publications

Recently Added

Beyond Nostalgia: Reimagining Post-Apartheid Freedom
Jun 22, 2022
Eduardo Mondlane: social scientist, cosmopolitan and nationalist
Jun 22, 2022
Re-Imagining Race through Daai za Lady & Butoh
Jun 22, 2022

✕

SUBSCRIBE TO OUR NEWSLETTER

Stay up to date with the latest news and developments from the Centre for Humanities Research.

Email address:

Leave this field empty if you're human:

© 2017 The Centre for Humanities Research. All Rights Reserved. Designed By Spotkolours Design

The CHR fellowship programme will continue in 2022 through online platforms and, where permitted, limited live events hosted in compliance with COVID-19 protocols. Please follow our events page for updates about events.

For queries, please email us at

centreforhumanitiesresearch@uwc.ac.za

COVID-19 Corona Virus South African Resource Portal