chr 500-0bCHR Dark Textchr 500-0bchr 500-0b
  • About
    • Centre for Humanities Research
    • DSI-NRF Flagship
    • Partnerships
    • Funders
    • Reports
    • Staff
  • Iyatsiba Lab
    • LoKO
    • Sound Working Group
    • Documentary film
  • New Archival Visions
  • Research Platforms
    • Aesthetics and Politics
      • Factory of the Arts
        • About the Factory of the Arts
        • Convening the Factory of the Arts
        • Artists in Residence
      • Research Projects
    • Becoming Technical of the Human
      • Laboratory of Kinetic Objects
      • Research Projects
    • Migrating Violence
      • Research Projects
        • Political Theory and Philosophy
        • Trans-formative Consitutionalism
  • Research Chairs
    • NRF SARChI Chair in Visual History and Theory
      • Postgraduate bursaries and postdoctoral fellowships in Visual History & Theory
      • Postgraduate Module In Visual History, 2023 (HIS 735/835)
    • Charlotte Maxeke-Mary Robinson Research Chair
    • UK-SA Bilateral Digital humanities chair in culture and technics
  • Fellowship Programme
    • Fellows
    • Winter School
    • Visiting Scholars
    • Seminar Programme
  • Publications & Archive
    • Publications & Creative Outputs
    • Galleries
    • Video
    • Film
    • Podcast
  • News
    • Workshops
    • Conferences
    • Lectures
    • Special Meetings
    • Colloquia
    • Seminars
    • Arts Events
  • Contact
✕ When autocomplete results are available use up and down arrows to review and enter to go to the desired page. Touch device users, explore by touch or with swipe gestures.
            No results See all results

            Panya Routes: Independent Art Spaces in Africa

            The CHR is delighted to announce the publication of CHR Research Fellow Kim Gurney’s new book Panya Routes: Independent art spaces in Africa (Motto, 2022), which was carried out in her capacity as an affiliated Research Associate at UCT’s African Centre for Cities.

            Panya Routes is about the working principles that independent art spaces in five different cities in Africa have in common, and its title refers to do-it-yourself communal pathways or get-arounds.

            “Forging such routes involves a radically different way of thinking about sustainability: it is not about perpetuating given conditions but rather instituting tomorrow’s desired world, today. A collective ethos, collaborative models, and solidarity networks are at the heart of these working principles. They have world-building implications: by practising strategies of refusal and re-imagination, these so-called offspaces are not only thinking about things as they are but as they could be,” Gurney says.

            Five independent spaces participated in her research: GoDown Art Centre (Nairobi), ANO Institute (Accra), Townhouse Gallery (Cairo), Zoma Museum (Addis Ababa), and Nafasi Art Space (Dar es Salaam).

            Gurney recently presented her findings at the Arts Research Africa conference and her paper, “Epistemic Disobedience: Institution-Building as Artistic Practice”, can be accessed below.

            Video of conference presentation, ‘Epistemic Disobedience’, @ARA2022:

            Other Arts Research Africa 2022 conference presentations available here:  https://ara2022.witsevents.co.za/

            More information about Panya Routes:
            FIND OUT MORE
            Share
            0

            Related posts

            June 9, 2025

            Global dis:connect Academic Advisory Board announcement


            Read more
            June 6, 2025

            A listening session with Leila Bencharnia


            Read more
            June 2, 2025

            DSTI-NRF Call for Application Endorsements: UK-SA Bilateral Chair in the Digital Humanities and SARChI Chair in Visual History and Theory.


            Read more
            May 28, 2025

            In Defence of the Ontological Category of Ubuqaba


            Read more

            Research Platforms

            • NRF SARChI Chair in Visual History and Theory
            • Andrew W. Mellon Chair of Aesthetic Theory and Material Performance
            • Factory of the Arts
            • Laboratory of Kinetic Objects
            • Seminar Programme
            • Publications

            Recently Added

            • Global dis:connect Academic Advisory Board announcement
              June 9, 2025
            • A listening session with Leila Bencharnia
              June 6, 2025
            • DSTI-NRF Call for Application Endorsements: UK-SA Bilateral Chair in the Digital Humanities and SARChI Chair in Visual History and Theory.
              June 2, 2025
            ✕ When autocomplete results are available use up and down arrows to review and enter to go to the desired page. Touch device users, explore by touch or with swipe gestures.

            SUBSCRIBE TO OUR NEWSLETTER


            Stay up to date with the latest news and developments from the Centre for Humanities Research.



            © 2025 UWC | The Centre for Humanities Research. All Rights Reserved. Designed By Spotkolours Design
                      No results See all results