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READ MORE Exhibition Announcement: Home by Naoya Yoshikawa

The Iyatsiba Gallery Annexe at CHR is a participant venue for the city-wide Cape Town Photography Festival during September, hosting a solo exhibition by Naoya Yoshikawa. READ MORE Humanities in Session: Archive Lab, HOME: IE by Naoya Yoshikawa

The New Archival Visions (NAV) Programme will be hosting Naoya Yoshikawa in September at the Iyatsiba Lab, in collaboration with The Cape Town Photography Festival. Alongside this Humanities in Session: Archive Lab seminar, Yoshikawa’s exhibition, HOME: IE, will be showing at the Iyatsiba Lab’s Annex Gallery (3-26 September 2026). READ MORE A Tribute to Tiisetso Dladla (1985-2026): PhD fellow New Archival Visions Programme at the CHR, UWC

It seems unthinkable to be sharing a tribute for Tiisetso Dladla who passed away in Johannesburg on 11 August 2026. We are shocked and heartbroken at UWC where Tiisetso was a doctoral fellow of the New Archival Visions (NAV) at the Centre for Humanities Research, with her PhD registered in the Department of Historical Studies.
February 2, 2015

Adam Sitze

A MacArthur Scholar from 1996 to 2003 at the University of Minnesota, Adam Sitze is currently Associate Professor of Law, Jurisprudence and Social Thought at […]
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February 2, 2015

Nivedita Menon

Nivedita Menon is Professor in the Centre for Comparative Politics & Political Theory, School of International Studies at Jawaharlal Nehru University (JNU) in New Delhi, […]
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February 2, 2015

Souleymane Bachir Diagne

Souleymane Bachir Diagne is Professor in the Department of French and Romance Philology and the Department of Philosophy at Columbia University, New York. His field […]
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February 2, 2015

Jon Soske

Jon Soske is Professor of Modern African History at the University of Toronto, Canada. He received a MA in Comparative Literature from the University of […]
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February 2, 2015

Exhibitions

Exhibitions produced and/or facilitated by the CHR at UWC are generated under its Aesthetics and Politics research platform, aimed at renewing a humanities inquiry through encounters with the visual and performing arts, and at critically investigating the intersection of the arts, politics, and publics in post-apartheid South Africa.
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