READ MOREHumanities in Session, Archive Lab: Immersive Technologies and the Archive
The advancement of immersive technologies is fast shaping archival practice. What does this new yet old complexity of design, history, technology and mixed realities mean for the future of storytelling, research and education?READ MOREHumanities in Sesssion, Artists' Forum with Tshegofatso Moeng
This session will be led by Tshegofatso Moeng who is a versatile South African singer, arranger, composer, and music director.READ MOREHumanities in Sesssion: ‘Returning Transitions: Memories of Persistent Crises in South African and Russian Writing’, with Ksenia Robbe
In this seminar, Ksenia Robbe present the key questions and theoretical propositions concerning the possibility of reading comparatively and connectively memories of the post-apartheid and post-Soviet ‘transitions’ in contemporary South African and Russian writing.
The advancement of immersive technologies is fast shaping archival practice. What does this new yet old complexity of design, history, technology and mixed realities mean for the future of storytelling, research and education?
In this seminar, Ksenia Robbe present the key questions and theoretical propositions concerning the possibility of reading comparatively and connectively memories of the post-apartheid and post-Soviet ‘transitions’ in contemporary South African and Russian writing.
The New Archival Visions (NAV) Programme will host Brian Tilley and Makonenyana Molete, founder members of the VNS/Afravision video collective to share how they set up VNS/Afravision in the 1980s to document the struggles sweeping across South Africa.
The UK-SA Chair in Culture & Technics, a bilateral programme between the British Academy and South Africa’s National Research Foundation, convenes an international study network that traces how the exercise of power relates to the co-evolution of the human and technology.
In this public conversation, Jordache Ellapen engages his newly published book, Indenture Aesthetics: Afro-Indian Femininities and the Queer Limits of South African Blackness.
The Transnational Technocultures Research Group (Rayvon Fouchè | Northwestern University, Premesh Lalu | University of the Western Cape, Tiziana Terranova | University of Naples L’Orientale, Domietta Torlasco | Northwestern University) invites you to, The Physics of Technocultural Locations.
The CHR, in collaboration with the Ruth J. Simmons Center for the Study of Slavery & Justice at Brown University, the Smithsonian National Museum of African American History and Culture, and Iziko Museums of South Africawill be hosting in Slavery’s Wake: making Black Freedom in the World, on 27 May 2026.
The exhibition Facts and Fabulations is the outcome of a Digital Curatorial Fellowship from the New Archival Visions Programme at the UWC Centre for Humanities Research. The project demonstrates how academic research can become a public, accessible, and participatory cultural experience.