pexels: Daniel Spase
SASRIM welcomes contributions on a wide range of topics in music research, including those that explore disciplinary intersections, and the convergences and divergences between performance and/as research. Alongside this broad scope, we especially invite submissions that respond to the notion of sound and music as a problem space (Scott, 2004) of relationality and knowledge production, and how this manifests at the intersections of voice, technology, and the archive. We encourage proposals for papers, panels, round tables, or alternative formats of presentation. All proposals will be assessed individually, without privileging particular subjects or methodologies.
The CHR fellowship programme will continue in 2022 through online platforms and, where permitted, limited live events hosted in compliance with COVID-19 protocols. Please follow our events page for updates about events.