Home
About
Centre for Humanities Research
DSI-NRF Flagship
Partnerships
Funders
Reports
Staff
Iyatsiba Lab
New Archival Visions
Research Platforms
Aesthetics and Politics
Factory of the Arts
About the Factory of the Arts
Convening the Factory of the Arts
Artists in Residence
Research Projects
Becoming Technical of the Human
Laboratory of Kinetic Objects
Research Projects
Migrating Violence
Other Universals: thinking from the South on traditions of politics and aesthetics
Research Projects
Political Theory and Philosophy
Trans-formative Consitutionalism
Research Chairs
NRF SARChI Chair in Visual History and Theory
Postgraduate bursaries and postdoctoral fellowships in Visual History & Theory
Postgraduate Module In Visual History, 2023 (HIS 735/835)
Andrew W. Mellon Chair of Aesthetic Theory and Material Performance
Charlotte Maxeke-Mary Robinson Research Chair
Fellowship Programme
Fellows
Winter School
Visiting Scholars
Seminar Programme
Publications & Archive
Publications & Creative Outputs
Galleries
Video
Film
Podcast
News
Workshops
Conferences
Lectures
Special Meetings
Colloquia
Seminars
Arts Events
Contact
✕
Sophie Peters, Crucifixion,1987. Linocut. 29.9 x 42.1 cm. CAP Print Collection, CHR, UWC
