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E.N. Mkonto, untitled, 1990. Linocut. 35.4 x 24 cm. CAP Print Collection, CHR, UWC

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NRF SARChI Chair in Visual History and Theory
Andrew W. Mellon Chair of Aesthetic Theory and Material Performance
Factory of the Arts
Laboratory of Kinetic Objects
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African Studies Annual Lecture 2025: ‘The Becoming Technical of the Human: Race After Apartheid’, Premesh Lalu
May 7, 2025
‘Slave Heritage & Cape Music’, with Valmont Layne.
April 30, 2025
CUT faculty hosts the inaugural Research Centre on Human Technology interaction workshop to reimagine knowledge in a technological age
April 23, 2025

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