Beyoncé

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Fabian Abels, Beyoncé, 2004. Linocut. 30.1 x 21.9 cm. CAP Print Collection, CHR, UWC

Research Platforms

NRF SARChI Chair in Visual History and Theory
Andrew W. Mellon Chair of Aesthetic Theory and Material Performance
Factory of the Arts
Laboratory of Kinetic Objects
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African Studies Annual Lecture 2025: ‘The Becoming Technical of the Human: Race After Apartheid’, Premesh Lalu
May 7, 2025
‘Slave Heritage & Cape Music’, with Valmont Layne.
April 30, 2025
CUT faculty hosts the inaugural Research Centre on Human Technology interaction workshop to reimagine knowledge in a technological age
April 23, 2025

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