READ MOREAn Archive and Forms of Sight: Gestures of Madness
My history of madness in the Belgian Congo will rely on tracking transactional, micro, and urgent documents as gestures. These promise to open “spheres of ethos,” with human riddles, forms of upheaval, and violence (Agamben 1992). READ MOREIn Black Women’s Hands: A History of Gestures in Photography and Textile
Contemporary Black female artists have reclaimed the everyday labor and domestic motions women have historically performed, as artistic gestures in their own right. For example, the ceramic and bronze sculptures of the African-American artist Simone Leigh have referenced vernacular processes like washing chores and needlework. READ MORETogether Apart The Irish Anti-Apartheid Movement
In April 1964, the Irish Anti-Apartheid Movement (IAAM) was launched in Dublin by Kader Asmal, a South-African professor of law in Trinity College. Lobbying for improved human rights and liberation in South Africa, the Movement raised awareness of the racism experienced by communities and campaigned for the release of political prisoners.
Between the 12th and the 18th of March CHR faculty and colleagues from the Leuphana Institute of Advanced Studies (LIAS) in Culture and Society met for a ten-day workshop on the question: What is the University for?
The University of the Western Cape (UWC) and the Zeitz Museum of Contemporary Art Africa (Zeitz MOCAA) are pleased to announce an open call for a year-long museum fellowship programme, developed to educate a new generation of art and museum professionals in Africa.
The Charlotte Maxeke-Mary Robinson Research Chair and the Documentary Film Programme of the CHR, will be screening 'Seamus Heaney and the music of what happens’ (88 minutes, Ireland, 2019) by Adam Low on Wednesday 17 April 2024, which will be followed by a QnA with the director.
A Conversation in the Humanities in Session seminar series at the Centre for Humanities Research, part of the Advanced Research Seminar. Uhuru Phalafala in conversation with Dr Lwando Scott.