READ MORETechnics and the Urban: UK-SA Chair in Culture and Technics annual workshop.
The UK-SA Chair in Culture & Technics, a bilateral programme between the British Academy and South Africa’s National Research Foundation, convenes an international study network that traces how the exercise of power relates to the co-evolution of the human and technology.READ MOREHumanities in Session: Indenture Aesthetics in South Africa with Jordache Ellapen
In this public conversation, Jordache Ellapen engages his newly published book, Indenture Aesthetics: Afro-Indian Femininities and the Queer Limits of South African Blackness.READ MOREEncounters Documentary Film Festival: Encounters Talks
We are delighted to once again collaborate with Encounters Documentary Film Festival, and will be hosting a series of Encounters Talks at Iyatsiba Lab on 5 and 6 June.
My history of madness in the Belgian Congo will rely on tracking transactional, micro, and urgent documents as gestures. These promise to open “spheres of ethos,” with human riddles, forms of upheaval, and violence (Agamben 1992).
Contemporary Black female artists have reclaimed the everyday labor and domestic motions women have historically performed, as artistic gestures in their own right. For example, the ceramic and bronze sculptures of the African-American artist Simone Leigh have referenced vernacular processes like washing chores and needlework.
Abstracts are invited for participation in the annual workshop in Visual History & Theory to be held at the Centre for Humanities Research, University of the Western Cape, on 19-20 September 2024.
While an elusive concept, neoliberalism has come to denote a set of economic policies and principles grounded on individualism, market deregulation, and extensive privatisation.
The CHR encourages the call for papers for the Transience and the image workshop to be convened from th1 19-20 August 2022 at the Centre for Humanities Research.
The workshop will examine 20th century periodicals and related print ephemera – including newspapers, cultural and literary journals, magazines, manifestoes, newsletters and political pamphlets – as sites of Left, anti-imperial and anti-colonial critical production throughout decolonization, anti-Apartheid struggles, and the post-colonial era.