READ MORETechnics & Urban workshop takes off
“They conduct their lives with a wry resilience. They have a front row seat to the apocalyptic – birds falling out the sky – but they go on, with a cruel optimism towards the everyday within the age of extreme climate change. To translate that into formal strategies is the work of documentary.” READ MOREPublication Announcement: New Contrast, Issue 212, In Memory of Diana Ferrus and Zoë Wicomb
We are pleased to announce the publication of New Contrast’s 212th Issue, In Memory of Diana Ferrus and Zoë Wicomb, which includes contributions from Premesh Lalu who holds the UK-SA Bilateral Chair in Culture and Technics at the CHR, and Bongani Kona (Department of Historical Studies, UWC).READ MOREHumanities in Sesssion, Artists’ Forum: Underwater Cables & Global Digital Infrastructure
This session, titled ‘Underwater Cables & Global Digital Infrastructure’, will be led by Ian Purnell, and Southbound Studio members, Kamil Adam Hassim, and Benji Anstey, who will be in conversation with the CHR’s Premesh Lalu.
My history of madness in the Belgian Congo will rely on tracking transactional, micro, and urgent documents as gestures. These promise to open “spheres of ethos,” with human riddles, forms of upheaval, and violence (Agamben 1992).
Contemporary Black female artists have reclaimed the everyday labor and domestic motions women have historically performed, as artistic gestures in their own right. For example, the ceramic and bronze sculptures of the African-American artist Simone Leigh have referenced vernacular processes like washing chores and needlework.
Abstracts are invited for participation in the annual workshop in Visual History & Theory to be held at the Centre for Humanities Research, University of the Western Cape, on 19-20 September 2024.
While an elusive concept, neoliberalism has come to denote a set of economic policies and principles grounded on individualism, market deregulation, and extensive privatisation.
The CHR encourages the call for papers for the Transience and the image workshop to be convened from th1 19-20 August 2022 at the Centre for Humanities Research.
The workshop will examine 20th century periodicals and related print ephemera – including newspapers, cultural and literary journals, magazines, manifestoes, newsletters and political pamphlets – as sites of Left, anti-imperial and anti-colonial critical production throughout decolonization, anti-Apartheid struggles, and the post-colonial era.