READ MOREPatricia Parker appointed as Extraordinary Professor at UWC.
The CHR is delighted to announce that Patricia Parker has been appointed as extraordinary professor at the CHR, strengthening our partnership with the Institute for the Arts and Humanities (IAH), University of North Carolina (UNC) at Chapel Hill. READ MOREThe Global Silencing of Racism: A book discussion on Colorblind Tools: Global Technologies of Racial Power
A Conversation in the Humanities in Session Series at the Centre for Humanities Research, part of the Advanced Research Seminar.READ MORENew Publication: Kim Gurney reviews Jay Pather’s edited volume, Restless Infections - Public Art and a Transforming City.
There is a double bind to writing about performance art, or live art as it is also called. Generally speaking, live art involves combinations of the body, time and space.
My history of madness in the Belgian Congo will rely on tracking transactional, micro, and urgent documents as gestures. These promise to open “spheres of ethos,” with human riddles, forms of upheaval, and violence (Agamben 1992).
Contemporary Black female artists have reclaimed the everyday labor and domestic motions women have historically performed, as artistic gestures in their own right. For example, the ceramic and bronze sculptures of the African-American artist Simone Leigh have referenced vernacular processes like washing chores and needlework.
Abstracts are invited for participation in the annual workshop in Visual History & Theory to be held at the Centre for Humanities Research, University of the Western Cape, on 19-20 September 2024.
While an elusive concept, neoliberalism has come to denote a set of economic policies and principles grounded on individualism, market deregulation, and extensive privatisation.
The CHR encourages the call for papers for the Transience and the image workshop to be convened from th1 19-20 August 2022 at the Centre for Humanities Research.
The workshop will examine 20th century periodicals and related print ephemera – including newspapers, cultural and literary journals, magazines, manifestoes, newsletters and political pamphlets – as sites of Left, anti-imperial and anti-colonial critical production throughout decolonization, anti-Apartheid struggles, and the post-colonial era.