READ MOREBlackness is Blooming Symposium report
Blackness is Blooming was a symposium held at Zeitz Mocaa that delved into the complex experiences of exile and the aftermath of displacement as explored in the exhibition A Protea Is Not a Flower.READ MOREFilm Screening: Aquila, J.M. Coetzee and The Jesus Trilogy
The CHR welcomed J.M. Coetzee on his visit to the CHR’s Iyatsiba Lab and was proud to host the screening of Aquila, a film by Callum Chiplin and Jade Harris-Tyler, based on Coetzee’s The Jesus Trilogy.READ MOREOpen Call: The Cape Town Workshop
We are delighted to announce that applications are now open for a fully funded 12-day research and practice-led programme of workshops, discussions, and encounters with historical archives and contemporary practice in July 2027.
My history of madness in the Belgian Congo will rely on tracking transactional, micro, and urgent documents as gestures. These promise to open “spheres of ethos,” with human riddles, forms of upheaval, and violence (Agamben 1992).
Contemporary Black female artists have reclaimed the everyday labor and domestic motions women have historically performed, as artistic gestures in their own right. For example, the ceramic and bronze sculptures of the African-American artist Simone Leigh have referenced vernacular processes like washing chores and needlework.
Abstracts are invited for participation in the annual workshop in Visual History & Theory to be held at the Centre for Humanities Research, University of the Western Cape, on 19-20 September 2024.
While an elusive concept, neoliberalism has come to denote a set of economic policies and principles grounded on individualism, market deregulation, and extensive privatisation.
The CHR encourages the call for papers for the Transience and the image workshop to be convened from th1 19-20 August 2022 at the Centre for Humanities Research.
The workshop will examine 20th century periodicals and related print ephemera – including newspapers, cultural and literary journals, magazines, manifestoes, newsletters and political pamphlets – as sites of Left, anti-imperial and anti-colonial critical production throughout decolonization, anti-Apartheid struggles, and the post-colonial era.