READ MOREHumanities in Session, Archive Lab: Immersive Technologies and the Archive
The advancement of immersive technologies is fast shaping archival practice. What does this new yet old complexity of design, history, technology and mixed realities mean for the future of storytelling, research and education?READ MOREHumanities in Sesssion, Artists' Forum with Tshegofatso Moeng
This session will be led by Tshegofatso Moeng who is a versatile South African singer, arranger, composer, and music director.READ MOREHumanities in Sesssion: ‘Returning Transitions: Memories of Persistent Crises in South African and Russian Writing’, with Ksenia Robbe
In this seminar, Ksenia Robbe present the key questions and theoretical propositions concerning the possibility of reading comparatively and connectively memories of the post-apartheid and post-Soviet ‘transitions’ in contemporary South African and Russian writing.
My history of madness in the Belgian Congo will rely on tracking transactional, micro, and urgent documents as gestures. These promise to open “spheres of ethos,” with human riddles, forms of upheaval, and violence (Agamben 1992).
Contemporary Black female artists have reclaimed the everyday labor and domestic motions women have historically performed, as artistic gestures in their own right. For example, the ceramic and bronze sculptures of the African-American artist Simone Leigh have referenced vernacular processes like washing chores and needlework.
Abstracts are invited for participation in the annual workshop in Visual History & Theory to be held at the Centre for Humanities Research, University of the Western Cape, on 19-20 September 2024.
While an elusive concept, neoliberalism has come to denote a set of economic policies and principles grounded on individualism, market deregulation, and extensive privatisation.
The CHR encourages the call for papers for the Transience and the image workshop to be convened from th1 19-20 August 2022 at the Centre for Humanities Research.
The workshop will examine 20th century periodicals and related print ephemera – including newspapers, cultural and literary journals, magazines, manifestoes, newsletters and political pamphlets – as sites of Left, anti-imperial and anti-colonial critical production throughout decolonization, anti-Apartheid struggles, and the post-colonial era.