READ MOREA City in Practice: The Lubumbashi Biennale (2008-2024)
Kim Gurney, Senior Researcher at the CHR, is a contributing author for the first comprehensive publication on the Lubumbashi Biennale, a newly released book that traces relations between the city, its growing art scene and collective practice. READ MOREENGAGE/REFLECT/CREATE: Encounters Film Screenings, Master Class & Panel Discussion at the CHR.
The CHR and Encounters will be hosting a film screening and master class with Brendan Canty on Monday, 21 September 2026, followed by a film screening and panel discussion on Tuesday, 22 September 2026 as part of ENGAGE/REFLECT/CREATE: The CHR-Encounters monthly screening programme.READ MORESolo Showcase, Andile Yenana in Conversation with Valmont
The CHR and Jazz in the Native Yards will be hosting Andile Yenana for a Solo Showcase on Wednesday 23 September at Iyatsiba Lab.
My history of madness in the Belgian Congo will rely on tracking transactional, micro, and urgent documents as gestures. These promise to open “spheres of ethos,” with human riddles, forms of upheaval, and violence (Agamben 1992).
Contemporary Black female artists have reclaimed the everyday labor and domestic motions women have historically performed, as artistic gestures in their own right. For example, the ceramic and bronze sculptures of the African-American artist Simone Leigh have referenced vernacular processes like washing chores and needlework.
Abstracts are invited for participation in the annual workshop in Visual History & Theory to be held at the Centre for Humanities Research, University of the Western Cape, on 19-20 September 2024.
While an elusive concept, neoliberalism has come to denote a set of economic policies and principles grounded on individualism, market deregulation, and extensive privatisation.
The CHR encourages the call for papers for the Transience and the image workshop to be convened from th1 19-20 August 2022 at the Centre for Humanities Research.
The workshop will examine 20th century periodicals and related print ephemera – including newspapers, cultural and literary journals, magazines, manifestoes, newsletters and political pamphlets – as sites of Left, anti-imperial and anti-colonial critical production throughout decolonization, anti-Apartheid struggles, and the post-colonial era.